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20TH CENTURY

20TH CENTURY

MIKE FAIR

of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;... Learn More

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MIKE FAIR

of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;... Learn More

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AFTER ALBERTO GIACOMETTI PAIR CAST BRONZE AND STEEL ANDIRONS

  -  France 1936 / C1980 -  Alberto Giacometti - Swiss (1901-1966) Overall dimensions: 15 1/2” deep x 11 1/4” wide x 13 1/2” high  Download Tearsheet Learn More

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1960’s STONEWARE PLAQUE

the terra cotta colored rectangular panel with molded and shaped border, centering raised  rectangular high relief reserve depicting reclining male nude, his arms clasped behind his head, facing forward with... Learn More

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FRENCH MODERNIST CHESTNUT AND STEEL ARMCHAIR

the rectangular pitched back consisting of rectangular section slats, joined to similar seat and back foot-rail extending to the floor, with contiguous square section straight arms, extending to the floor,... Learn More

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PIET BLOM BASTILLE CHAIR

of lacquered beechwood, edition of 400 (less than 200 remaining), few in original condition like this one; manufacturer’s name on metal caps :Huizinga Utrecht Provenance: University of Twente, Enschede, The... Learn More

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AMERICAN TRAMP ART MAHOGANY AND OAK INLAID WOOD TABLE

the square section geometric two tone top, over straight apron with ripple moulded bottom edge, raised on four square section tapering legs, joined by “X” stretcher, all with similar ripple... Learn More

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ITALIAN 1970’s PINE TABLE

in the manner of Mario Ceroli, the rectangular plank top with straight edge, over “Z” shaped planked concentric paneled base Overall dimensions: 33” deep x 70 1/2” wide x 31”... Learn More

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KAARE KLINT ‘RED’ ARMCHAIR - MAHOGANY, NIGER LEATHER

designed in 1930, executed in 1935 by Rud.  Rasmussen A/S, Denmark manufacturer’s paper label and architect’s monogrammed paper labelunder seat frame: RUD. RASMUSSENS SNEDKERIER 45 KØRREBROGADE 158_ _(?) Overall dimensions:... Learn More

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MIKE FAIR

of rectangular form of Baltic birch plywood with the surface subtly sculpted to reveal the glue lines creating shifting ethereal patterns Signed: Mike Fair 2023 Overall dimensions: 13 1/2” wide... Learn More

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MIKE FAIR

of rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography... Learn More

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PAIR BRASS PALM FLOOR LAMPS

In the manner of Tomasso Barbi, the four square section stems, rising to slightly off centered realistically moulded and shaped palm fronds one rising above the other; the whole raised... Learn More

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BRAZILIAN MONKEY PUZZLE LAMP

the circular section bulbous highly figured tapering base, rising to narrow dark wood neck, surmounted by circular section slightly bulging shade with similar dark wood banded base, tapering to circular... Learn More

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DON REITZ SALT FIRED BLACK CLAY CHARGER

- signed: REITZ 1988 Overall dimensions: 4”deep x 24” diameter Don Reitz(1929-2014) Arizona  Download Tearsheet Learn More

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J.PEREZ & P ARAGAY FOR MARSET 1960’S

adjustable chrome, black painted metal Barcelona, Spain a table lamp also exists overall dimensions lampshade: 9” diameter overall height: 60”  Download Tearsheet Learn More

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PAIR AUGUST VOGEL BRONZE BRAZIERS

each oval molded basin shaped “en gondole” enriched with anthemion and acanthus decoration, surmounted by allegories of Flora and Bacchus with attached strap handles respectively; the figure of Flora holding... Learn More

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NAGALAND JACKWOOD TABLE/BED

of massive singular hand carved shaped and molded slightly irregular rectangular form, the larger end with Great Hornbill style beaks across the length, carved in high relief; the whole contiguous... Learn More

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TONI ZUCCHERI for VENINI MURANO GLASS, PARCEL GILT AND STAINLESS STEEL LAMP

- flecks of gold in the inverted dome of the glass Toni Zuccheri ( 1936-2008) Italy Zuchheri graduated from the Academy of Architecture in Venice, where he learned from various... Learn More

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INGRID OF SWEDEN RED ALUMINUM, CANVAS, ROPE AND BEECHWOOD LAMP

Monsterskyddad model, 1970 - Sweden Ingrid of Sweden fabric label sewn into seem of shade Overall dimensions: 19 1/2" d x 19 1/2" w x 30" h    Download Tearsheet Learn More

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‘QUADRIFOLGIO’ ACRYLIC AND CHROME FLOOR LAMP BY LUIGI MASSONI FOR GUZZINI

designed by Luigi Massoni, the head of design at Guzzini in collaboration with Studio G6, a company formed by the 6 Guzzini brothers CA1970 - Italy Overall dimensions: 20” diameter... Learn More

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S/4 FRENCH “AVIATION” IRON SIDECHAIRS

each with concave shield back, joined to attached upholstered box cushion, raised on “T” section scrolling “C” form back leg with progressive circular piercing ending in fin foot, the front... Learn More

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1970’S ITALIAN BLUE-GREY AND WHITE GLASS TABLE

the circular section gently bulbous form tapering to rolled edge and molded and shaped inset top, tapering to straight flat foot; the interior in white glass From a factory in... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI 1977

steel wire, eye hooks on maple pine frame - overall dimensions: 19 1/2” wide x 19 1/2” high signed in graphite: Lucifero Sgarbati 77 Domenico Gentili (1933- ) Bologna, Italy... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI “La Libertá” 1977

steel wire, eye hooks on maple pine frame - 28 1/2” wide x 20 1/2” high signed in graphite: Lucifero Sgarbati 77    Download Tearsheet Learn More

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GERMAN BRUTALIST CARSTENS KERAMIK EWER

of bulbous ovoid form exhibiting subtle ribbed body, fitted with massive shaped and molded rectangular section pierced “d” ring handle to the neck and waist, rising to flaring rim and... Learn More

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ITALIAN MID CENTURY STUDIO POTTERY

the brown and off white contrasting circular section vasiform shape, fitted with rectangular flat handle at neck, rising to flat rim and resting on flat foot; the whole enriched with... Learn More

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ITALIAN MID-CENTURY STUDIO POTTERY

of two tone colored beige and grey circular section vasiform shape with applied pierced circular “d” ring type seemingly random handles, rising to flat rim and raised on flat foot;... Learn More

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PR. BUGIA PAINTED IRON LAMPS BY GIUSEPPE CORMIO

each with rectangular section “c” shaped base, suspending semi-circular dome with pierced elongated center CA1976 - for IGuzzini - In 1975 Giuseppe Cormio drew the lamp and presented it at... Learn More

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NERONE CECCARELLI & GIANCARLO PATUZZI ATTRIBUTED MOSAIC OF WALNUT PEDESTAL

of circular section compound bulbous form, with flat center band, tapering to stylized dentil moulded narrow collar, flaring to compound moulded inset top, the scalloped waist flaring to compound moulded... Learn More

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PR. BERT ENGLAND MAHOGANY, BRONZE AND CANE ARMCHAIRS

each with upside down concave trapezium shaped caned backs within thin rectangular section bronze frames, suspended from flaring circular section tapering arms contiguous with flaring back leg and straight front... Learn More

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PAIR FRANK LLOYD WRIGHT OAK SLANT-BACK SIDE CHAIRS

each with planar construction and strict geometric elements adhering to the principals of his Prairie School style architecture with diagonal rectangular section back panels, flanked by square section legs, surmounted... Learn More

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FIVE - ERIK HÖGLUND AND GUNNAR ANDER IRON AND GLASS CANDELABRA

each circular section stem rising to cross section rectangular strap work with four equal scrolling quadrants, each fitted with vasiform circular nozzles and fitted with circular section green glass medalions,... Learn More

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TRAMP ART LIDDED BOX

the finely carved and deeply layered pyramidic shaped pedestal, fitted with similar five sided box each side ending in flat rectangular end, fitted with contiguous conforming lid the base displaying... Learn More

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PAIR OLOF HULT “SNÄCKURNAN” CAST IRON URNS

each deep dish oval form with irregular shell - like ribbing, fitted at the shoulders with naturalistic loop handles, rising to flaring rim, tapering intensely to circular flaring flat foot;... Learn More

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ITALIAN BRASS AND WOOD WASTE CAN

of two massive semi-circular sheets, each with flat flange on both ends, joined to ebonized wood center by screws, ending in flat conforming bottom 1970’s Overall dimensions: 10” deep x... Learn More

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OTTO WRETLING ‘IDEALBORDET’ PART EBONIZED BIRCH AND SATINWOOD ADJUSTABLE TABLE

the rectangular nickel plated hinged top with straight edge and conforming apron, opening to satinwood interior with  ebonized geometric inlay, raised on rectangular section adjustable(7 step) steel pedestal; the whole... Learn More

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PR. DE PORCELEYNE BYL(THE PORCELAIN AXE) STONEWARE BEAKER VASES

each octagonal section form rising to flaring rim, tapering to flaring hollow foot; the whole enriched with Kangxi style cobalt blue decoration depicting a vase with a spray of chyrsanthemum’s... Learn More

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FABIO LENCI “FOCUS” TABLE LAMP FOR HARVEY GUZZINI - 1967

adjustable clear and white translucent Perspex ball, suspended in a separate chrome-plated tubular metal stand Fabio Lenci (1935 -  ) Born in Rome graduating from Industrial Technical Engineering in 1953.... Learn More

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PAIR FRENCH CLUB CHAIRS

each scalloped crest rail contiguous with back, enclosing “U” shaped tight upholstered seat and inside back with downward sloping arms over conforming apron; the whole raised on bracket feet and... Learn More

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PR. KRISTIAN SOLMAR VEDEL PALISANDER AND LEATHER ARMCHAIRS

For MODUS - Denmark Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father of modern Danish furniture design, as well as the German Bauhaus school. His now classic... Learn More

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FRENCH CAST CONCRETE CHAIR

the rectangular scoop back with rolled edge on circular section stem, raised on flaring circular section base CA1950  Overall diameter of base: 20 1/2” x 29” high    Download Tearsheet  Learn More

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TWO BELGIAN INDUSTRIAL PORCELAIN AND CEMENT STANDS

each square section top, with canted edge and inlaid porcelain center, over conforming apron, raised quartet of inset tapering fluted legs; the whole retaining traces of blue painted finish 20th... Learn More

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PAIR BRUTALIST PALISANDER ARMCHAIRS

each with mortis, tenon construction with brass screws, the rectangular shaped and moulded crest rail with slight peak at the center, fitted to pierced side rails contiguous with tapered foot, ... Learn More

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CHINESE BLANC DE CHINE PORCELAIN CHARGER

of shallow dish form, ribbed with outward flaring sides rising to lotus moulded and shaped edge, on flat base Overall diameter: 20” x 4 1/2” high    Download Tearsheet Learn More

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MEXICAN EARTHENWARE “BLOW FISH” VASE

of massive ovoid form with high relief concentric spines, rising to narrow neck and flaring to circular rolled rim, ending in flat bottom; the whole enriched with mottled red, black... Learn More

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ARNE NORELL ROSEWOOD AND LEATHER ARMCHAIRS

model Sirocco designed by Arne Norell, produced by his own company Mobel AB         Arne Norell,  in Aneby, Sweden 1960-1969 Overall dimensions: 26” deep x 26 1/2” wide x 28” high,... Learn More

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HISPANO-MORESQUE STYLE LUSTREWARE CHARGER

of shallow ovoid dish form, with shaped and molded central boss within concentric band rising to rolled edge ending in pierced hollow foot; the whole enriched with cobalt blue center... Learn More

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PAIR RATTAN ARMCHAIRS

attributed to Franco Albini, the flaring concave back with contiguous finials on conforming bucket seat, joined by duel outward flaring arms contiguous with front and back legs, joined by perimeter... Learn More

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