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20TH CENTURY

20TH CENTURY

J.PEREZ & P ARAGAY FOR MARSET 1960’S

adjustable chrome, black painted metal Barcelona, Spain a table lamp also exists overall dimensions lampshade: 9” diameter overall height: 60”  Download Tearsheet Learn More

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PAIR AUGUST VOGEL BRONZE BRAZIERS

each oval molded basin shaped “en gondole” enriched with anthemion and acanthus decoration, surmounted by allegories of Flora and Bacchus with attached strap handles respectively; the figure of Flora holding... Learn More

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NAGALAND JACKWOOD TABLE/BED

of massive singular hand carved shaped and molded slightly irregular rectangular form, the larger end with Great Hornbill style beaks across the length, carved in high relief; the whole contiguous... Learn More

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TONI ZUCCHERI for VENINI MURANO GLASS, PARCEL GILT AND STAINLESS STEEL LAMP

- flecks of gold in the inverted dome of the glass Toni Zuccheri ( 1936-2008) Italy Zuchheri graduated from the Academy of Architecture in Venice, where he learned from various... Learn More

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INGRID OF SWEDEN RED ALUMINUM, CANVAS, ROPE AND BEECHWOOD LAMP

Monsterskyddad model, 1970 - Sweden Ingrid of Sweden fabric label sewn into seem of shade Overall dimensions: 19 1/2" d x 19 1/2" w x 30" h    Download Tearsheet Learn More

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‘QUADRIFOLGIO’ ACRYLIC AND CHROME FLOOR LAMP BY LUIGI MASSONI FOR GUZZINI

designed by Luigi Massoni, the head of design at Guzzini in collaboration with Studio G6, a company formed by the 6 Guzzini brothers CA1970 - Italy Overall dimensions: 20” diameter... Learn More

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S/4 FRENCH “AVIATION” IRON SIDECHAIRS

each with concave shield back, joined to attached upholstered box cushion, raised on “T” section scrolling “C” form back leg with progressive circular piercing ending in fin foot, the front... Learn More

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1970’S ITALIAN BLUE-GREY AND WHITE GLASS TABLE

the circular section gently bulbous form tapering to rolled edge and molded and shaped inset top, tapering to straight flat foot; the interior in white glass From a factory in... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI 1977

steel wire, eye hooks on maple pine frame - overall dimensions: 19 1/2” wide x 19 1/2” high signed in graphite: Lucifero Sgarbati 77 Domenico Gentili (1933- ) Bologna, Italy... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI “La Libertá” 1977

steel wire, eye hooks on maple pine frame - 28 1/2” wide x 20 1/2” high signed in graphite: Lucifero Sgarbati 77    Download Tearsheet Learn More

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GERMAN BRUTALIST CARSTENS KERAMIK EWER

of bulbous ovoid form exhibiting subtle ribbed body, fitted with massive shaped and molded rectangular section pierced “d” ring handle to the neck and waist, rising to flaring rim and... Learn More

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ITALIAN MID CENTURY STUDIO POTTERY

the brown and off white contrasting circular section vasiform shape, fitted with rectangular flat handle at neck, rising to flat rim and resting on flat foot; the whole enriched with... Learn More

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ITALIAN MID-CENTURY STUDIO POTTERY

of two tone colored beige and grey circular section vasiform shape with applied pierced circular “d” ring type seemingly random handles, rising to flat rim and raised on flat foot;... Learn More

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PR. REPURPOSED ITALIAN PAINTED “BOAT” SIDECHAIRS

each massive planked oval concave back, joined to similar scooped oval seat; the whole raised on rectangular section tripod legs with apron support, each in multiple layers of paint, with... Learn More

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PR. BUGIA PAINTED IRON LAMPS BY GIUSEPPE CORMIO

each with rectangular section “c” shaped base, suspending semi-circular dome with pierced elongated center CA1976 - for IGuzzini - In 1975 Giuseppe Cormio drew the lamp and presented it at... Learn More

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NERONE CECCARELLI & GIANCARLO PATUZZI ATTRIBUTED MOSAIC OF WALNUT PEDESTAL

of circular section compound bulbous form, with flat center band, tapering to stylized dentil moulded narrow collar, flaring to compound moulded inset top, the scalloped waist flaring to compound moulded... Learn More

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PR. BERT ENGLAND MAHOGANY, BRONZE AND CANE ARMCHAIRS

each with upside down concave trapezium shaped caned backs within thin rectangular section bronze frames, suspended from flaring circular section tapering arms contiguous with flaring back leg and straight front... Learn More

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PAIR FRANK LLOYD WRIGHT OAK SLANT-BACK SIDE CHAIRS

each with planar construction and strict geometric elements adhering to the principals of his Prairie School style architecture with diagonal rectangular section back panels, flanked by square section legs, surmounted... Learn More

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FIVE - ERIK HÖGLUND AND GUNNAR ANDER IRON AND GLASS CANDELABRA

each circular section stem rising to cross section rectangular strap work with four equal scrolling quadrants, each fitted with vasiform circular nozzles and fitted with circular section green glass medalions,... Learn More

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TRAMP ART LIDDED BOX

the finely carved and deeply layered pyramidic shaped pedestal, fitted with similar five sided box each side ending in flat rectangular end, fitted with contiguous conforming lid the base displaying... Learn More

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PAIR OLOF HULT “SNÄCKURNAN” CAST IRON URNS

each deep dish oval form with irregular shell - like ribbing, fitted at the shoulders with naturalistic loop handles, rising to flaring rim, tapering intensely to circular flaring flat foot;... Learn More

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PAPIER MACHE PARCEL PAINTED BOWL

of irregularly shaped and molded deep dish ovoid form, rising to flat edge and tapering sharply to circular section hollow foot; the whole displaying traces of original blue painted decoration... Learn More

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PAPIER MACHE PAINTED BOWL

of irregularly shaped and molded deep dish ovoid form, with straight sides rising to prominent flaring flat edge, raised on tripod circular section feet; the whole retaining traces of original... Learn More

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PAPIER MACHE BOWL

of irregular shaped and molded deep dish ovoid form, rising to broad rolled rim, tapering to narrow hollow foot 20th Century - American Overall diameter: 20” x 10” high  ... Learn More

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PAPIER MACHE BOWL

of irregularly shaped and molded tapering ovoid deep dish form rising to rolled edge, ending in flat base 20th Century - American Overall diameter: 14” x 6” high    Download... Learn More

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PAPIER MACHE LIDDED URN

of massive tapering irregularly shaped and molded ovoid form, fitted with flat conforming lid with molded and off set shaped knob handle 20th Century - American Overall diameter: 24” cx... Learn More

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ITALIAN BRASS AND WOOD WASTE CAN

of two massive semi-circular sheets, each with flat flange on both ends, joined to ebonized wood center by screws, ending in flat conforming bottom 1970’s Overall dimensions: 10” deep x... Learn More

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OTTO WRETLING ‘IDEALBORDET’ PART EBONIZED BIRCH AND SATINWOOD ADJUSTABLE TABLE

the rectangular nickel plated hinged top with straight edge and conforming apron, opening to satinwood interior with  ebonized geometric inlay, raised on rectangular section adjustable(7 step) steel pedestal; the whole... Learn More

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PR. DE PORCELEYNE BYL(THE PORCELAIN AXE) STONEWARE BEAKER VASES

each octagonal section form rising to flaring rim, tapering to flaring hollow foot; the whole enriched with Kangxi style cobalt blue decoration depicting a vase with a spray of chyrsanthemum’s... Learn More

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FABIO LENCI “FOCUS” TABLE LAMP FOR HARVEY GUZZINI - 1967

adjustable clear and white translucent Perspex ball, suspended in a separate chrome-plated tubular metal stand Fabio Lenci (1935 -  ) Born in Rome graduating from Industrial Technical Engineering in 1953.... Learn More
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PAIR FRENCH CLUB CHAIRS

each scalloped crest rail contiguous with back, enclosing “U” shaped tight upholstered seat and inside back with downward sloping arms over conforming apron; the whole raised on bracket feet and... Learn More

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PR. KRISTIAN SOLMAR VEDEL PALISANDER AND LEATHER ARMCHAIRS

For MODUS - Denmark Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father of modern Danish furniture design, as well as the German Bauhaus school. His now classic... Learn More
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FRENCH CAST CONCRETE CHAIR

the rectangular scoop back with rolled edge on circular section stem, raised on flaring circular section base CA1950  Overall diameter of base: 20 1/2” x 29” high    Download Tearsheet  Learn More

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TWO BELGIAN INDUSTRIAL PORCELAIN AND CEMENT STANDS

each square section top, with canted edge and inlaid porcelain center, over conforming apron, raised quartet of inset tapering fluted legs; the whole retaining traces of blue painted finish 20th... Learn More

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PAIR BRUTALIST PALISANDER ARMCHAIRS

each with mortis, tenon construction with brass screws, the rectangular shaped and moulded crest rail with slight peak at the center, fitted to pierced side rails contiguous with tapered foot, ... Learn More
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CHINESE BLANC DE CHINE PORCELAIN CHARGER

of shallow dish form, ribbed with outward flaring sides rising to lotus moulded and shaped edge, on flat base Overall diameter: 20” x 4 1/2” high    Download Tearsheet Learn More

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MEXICAN EARTHENWARE “BLOW FISH” VASE

of massive ovoid form with high relief concentric spines, rising to narrow neck and flaring to circular rolled rim, ending in flat bottom; the whole enriched with mottled red, black... Learn More
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ARNE NORELL ROSEWOOD AND LEATHER ARMCHAIRS

model Sirocco designed by Arne Norell, produced by his own company Mobel AB         Arne Norell,  in Aneby, Sweden 1960-1969 Overall dimensions: 26” deep x 26 1/2” wide x 28” high,... Learn More
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HISPANO-MORESQUE STYLE LUSTREWARE CHARGER

of shallow ovoid dish form, with shaped and molded central boss within concentric band rising to rolled edge ending in pierced hollow foot; the whole enriched with cobalt blue center... Learn More

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PAIR RATTAN ARMCHAIRS

attributed to Franco Albini, the flaring concave back with contiguous finials on conforming bucket seat, joined by duel outward flaring arms contiguous with front and back legs, joined by perimeter... Learn More

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CONTINENTAL BRONZE MEMENTO MORI MASK

the 3/4” moulded and shaped male form, head uplifted with eyes closed and pursed lips, visible mold lines; raised on rectangular section absolute black granite plinth 20th Century - indistinguishable... Learn More
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CHINESE ARCHAISTIC HARDSTONE CONG

of square section form, with hollow circular interior rising to flat edge; the whole with traces of archeological patination   Overall dimensions: 11 1/2” square x 5” thick   20th... Learn More
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LOBI HARDWOOD STOOL

of massive anthropomorphic fully realized form in the shape of a turtle with a concave moulded and shaped back  First half 20th Century - Probably Burkina Faso  Overall dimensions: 10... Learn More

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MAX INGRAND CHROME AND GLASS MIRROR

the slightly concave beveled circular pale red frame, fitted in the center with a chrome lined beveled mirror   CA 1950 - Italy for Fontana Arte   Max Ingrand ( French,... Learn More
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NORMAN BEL GEDDES ALUMINUM AND WOOD STOOL

in the “Industrial Style” with oval later upholstered seat over conforming wood apron, flanked by concave straight legs CA 1930 - USA Overall dimensions 15” deep x 22” wide x... Learn More
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FAUX BOIS CEMENT SIDECHAIR

of realistic form, the horseshoe solid back, contiquous with circular seat, over conforming circular section hollow base and foot; the whole enriched with faux bois decoration and retaining patination from... Learn More
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FAUX BOIS CEMENT ARMCHAIR

of naturalistic moulded and shaped form with downward curving crest rail and similar central splat, rising to flaring, nearly straight arms, to circular section moulded and shaped seat with conforming... Learn More
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FAUX BOIS CEMENT TABLE

the removable irregular shaped and moulded circular thick top, mounted on flaring hollow pedestal pierced base; the whole with faux bois moulded and shaped decoration CA 1950 Overall dimensions: 36”... Learn More

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