20TH CENTURY
ANGELO MANGIAROTTI CERAMIC “VESUVIO” URN FOR GABBIANELLI
of wide outward flaring white enameled form rising gently to ribbed collar and rolled rim, raised on ribbed flat plinth foot CA 1970 - high Relief “6” under base with...
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BRAZILIAN MONKEY PUZZLE LAMP
the circular section bulbous highly figured tapering base, rising to narrow dark wood neck, surmounted by circular section slightly bulging shade with similar dark wood banded base, tapering to circular...
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5 SECTION ITALIAN MODULAR SOFA
Images showing 3 of 5 pieces; in the manner of Claudio Salocchi, in cognac leather, three with boxed rectangular back rests contiguous to the base, joined to square section seats...
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ATTRIBUTED TO PIERRE CASANOVE GILT BRONZE AND WALNUT COCKTAIL TABLE
the later rectangular hand planed old growth walnut top, embraced at the corners by shaped and moulded hammered arms; the whole raised on circular section similarly hammered arms, rising to...
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BELGIAN 1970’s STAINLESS STEEL PAINTED PANEL
the rectangular contiguous triptych form on wood frame; the whole enriched with bold black painted abstract with patinated glazed finish Artist unknown Overall diameter: 32 1/4” x 76 3/4”...
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BELGIAN ‘MARTYR’ BLUE STONE AND OAK COCKTAIL TABLE
the rectangular inset stone top with geometric cut marks, within thick rectangular section oak frame with mortise and tenon construction, continuous with square section legs - stone repurposed from 19th...
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ANGELO MANGIAROTTI CERAMIC “VESUVIO” URN FOR GABBIANELLI
of wide outward flaring white enameled form rising gently to ribbed collar and rolled rim, raised on ribbed flat plinth foot CA 1970 - high Relief “6” under base with...
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MIKE FAIR
of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;...
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MIKE FAIR
of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;...
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KAARE KLINT ‘RED’ ARMCHAIR - MAHOGANY, NIGER LEATHER
designed in 1930, executed in 1935 by Rud. Rasmussen A/S, Denmark manufacturer’s paper label and architect’s monogrammed paper labelunder seat frame: RUD. RASMUSSENS SNEDKERIER 45 KØRREBROGADE 158_ _(?) Overall dimensions:...
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MIKE FAIR
of rectangular form of Baltic birch plywood with the surface subtly sculpted to reveal the glue lines creating shifting ethereal patterns Signed: Mike Fair 2023 Overall dimensions: 13 1/2” wide...
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MIKE FAIR
of rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography...
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DON REITZ SALT FIRED BLACK CLAY CHARGER
- signed: REITZ 1988
Overall dimensions: 4”deep x 24” diameter
Don Reitz(1929-2014) Arizona
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J.PEREZ & P ARAGAY FOR MARSET 1960’S
adjustable
chrome, black painted metal
Barcelona, Spain
a table lamp also exists
overall dimensions lampshade: 9” diameter overall height: 60”
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NAGALAND JACKWOOD TABLE/BED
of massive singular hand carved shaped and molded slightly irregular rectangular form, the larger end with Great Hornbill style beaks across the length, carved in high relief; the whole contiguous...
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TONI ZUCCHERI for VENINI MURANO GLASS, PARCEL GILT AND STAINLESS STEEL LAMP
- flecks of gold in the inverted dome of the glass Toni Zuccheri ( 1936-2008) Italy Zuchheri graduated from the Academy of Architecture in Venice, where he learned from various...
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S/4 FRENCH “AVIATION” IRON SIDECHAIRS
each with concave shield back, joined to attached upholstered box cushion, raised on “T” section scrolling “C” form back leg with progressive circular piercing ending in fin foot, the front...
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1970’S ITALIAN BLUE-GREY AND WHITE GLASS TABLE
the circular section gently bulbous form tapering to rolled edge and molded and shaped inset top, tapering to straight flat foot; the interior in white glass From a factory in...
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LUCIFERO SGARBATI Presents DOMENICO GENTILI 1977
steel wire, eye hooks on maple pine frame - overall dimensions: 19 1/2” wide x 19 1/2” high signed in graphite: Lucifero Sgarbati 77 Domenico Gentili (1933- ) Bologna, Italy...
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LUCIFERO SGARBATI Presents DOMENICO GENTILI “La Libertá” 1977
steel wire, eye hooks on maple
pine frame - 28 1/2” wide x 20 1/2” high
signed in graphite: Lucifero Sgarbati 77
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ITALIAN MID CENTURY STUDIO POTTERY
the brown and off white contrasting circular section vasiform shape, fitted with rectangular flat handle at neck, rising to flat rim and resting on flat foot; the whole enriched with...
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PR. BUGIA PAINTED IRON LAMPS BY GIUSEPPE CORMIO
each with rectangular section “c” shaped base, suspending semi-circular dome with pierced elongated center CA1976 - for IGuzzini - In 1975 Giuseppe Cormio drew the lamp and presented it at...
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NERONE CECCARELLI & GIANCARLO PATUZZI ATTRIBUTED MOSAIC OF WALNUT PEDESTAL
of circular section compound bulbous form, with flat center band, tapering to stylized dentil moulded narrow collar, flaring to compound moulded inset top, the scalloped waist flaring to compound moulded...
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PAIR FRANK LLOYD WRIGHT OAK SLANT-BACK SIDE CHAIRS
each with planar construction and strict geometric elements adhering to the principals of his Prairie School style architecture with diagonal rectangular section back panels, flanked by square section legs, surmounted...
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TRAMP ART LIDDED BOX
the finely carved and deeply layered pyramidic shaped pedestal, fitted with similar five sided box each side ending in flat rectangular end, fitted with contiguous conforming lid the base displaying...
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PAIR OLOF HULT “SNÄCKURNAN” CAST IRON URNS
each deep dish oval form with irregular shell - like ribbing, fitted at the shoulders with naturalistic loop handles, rising to flaring rim, tapering intensely to circular flaring flat foot;...
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PR. KRISTIAN SOLMAR VEDEL PALISANDER AND LEATHER ARMCHAIRS
For MODUS - Denmark Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father of modern Danish furniture design, as well as the German Bauhaus school. His now classic...
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MEXICAN EARTHENWARE “BLOW FISH” VASE
of massive ovoid form with high relief concentric spines, rising to narrow neck and flaring to circular rolled rim, ending in flat bottom; the whole enriched with mottled red, black...
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HISPANO-MORESQUE STYLE LUSTREWARE CHARGER
of shallow ovoid dish form, with shaped and molded central boss within concentric band rising to rolled edge ending in pierced hollow foot; the whole enriched with cobalt blue center...
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PAIR RATTAN ARMCHAIRS
attributed to Franco Albini, the flaring concave back with contiguous finials on conforming bucket seat, joined by duel outward flaring arms contiguous with front and back legs, joined by perimeter...
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FAUX BOIS CEMENT ARMCHAIR
of naturalistic moulded and shaped form with downward curving crest rail and similar central splat, rising to flaring, nearly straight arms, to circular section moulded and shaped seat with conforming...
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TWO FINNISH PROTOTYPE STRAP WORK METAL PAINTED LAMPS
Circa 1970 created as prototypes and never placed into production Boldly stamped : VSK (possible craftsmans mark) Overall dimensions: 8 1/2” square x 12” high - Rewired for U.S. ...
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KRISTIAN SOLMAR VEDEL CHESTNUT AND LEATHER ARMCHAIR
for MODUS - Denmark CA1960 - very fine condition Overall dimensions: 25” deep x 28” wide x 30” high Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father...
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Robert Downs “Wheels of Tibet”, 1958 Abstract / Impressionist
- oil on canvas - signed on reverse: R. DOWNS FEB, 58 Provenance: Erick Estorick - lent to Los Angles County Museum of Art Overall Dimensions: 69 1/2 x 68”...
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FRENCH ART DECO EBONIZED AND MARQUETRY INLAID CONSOLE
the rectangular top with rounded front corners and molded edge over panel centering marquetry inlaid frieze depicting figures of classic antiquity, flanked by pair of scrolling fluted supports on rectangular...
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ITALIAN FOLK ART ADJUSTABLE PINE AND METAL LAMP
the square section fluted and pierced stem, fitted with “U” shaped metal strap work cleat with circular wood socket extending to conforming flaring chrome shade supported by removable doweled block;...
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TACCIA by ACHILLE AND PIER GIACOMO CASTIGLIONI FOR FLOS
the concave fluted aluminum stem rising to inset chrome neck with flaring rim, surmounted by deep dish circular clear glass bowl, fitted with massive concave white enameled aluminum concave diffuser;...
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PR. VITTORIO DASSI MAHOGANY AND PARCEL GILT BERGERES
each rectangular tapering leather upholstered back with contiguous rolled arms and “U” shaped seat with loose boxed seat cushion; the whole embraced by wide mahogany back brace raised on circular...
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AREA 50 CURVA BY MARIO BELLINI
metal base and lacquered metal stem, polycarbonate fittings and synthetic textile diffusor Overall dimensions: 18” d x 17” w x 22” high -Mario Bellini for Artemide - 1974 -Mario...
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ANGELO BROTTO BRASS AND MURANO GLASS LAMP
Angelo Brotto (1914-2002) Venetian designer and artist - graduate of the Accademia di Belle Arti di Venezia in 1941. He collaborated with the Murano glassmaker Esperia during the 1960’s and...
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“THE HOLLOWAY READING STAND”
The dictionary table and reading-book rest are of wood, usually finished in the natural grain, with hard- oil polished surface. Remaining parts are of metal, of a light and artistic...
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70’s FRENCH PAINTED HARDWOOD SIDECHAIR
of highly unusual geometric form, the triangular back tapering to contiguous circular pierced finial top, joined to square seat, the whole raised on upside down triangular four sided feet each...
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PR FRENCH MODERNE MAPLE BENTWOOD AND IRON ARMCHAIRS
each with contiguous scrolling rectangular back and seat the sides secured with circular section “D” shaped arms contiguous with legs CA 1930 - maker unknown Overall dimensions: 26” d...
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PATRIK HERVELIN PINE SCULPTURE
- of abstract form Overall dimensions: 7” d. X 9” w x 19 1/2” h CA 1980 Patrik Hermelin (1948 - ) Drawing teacher and sculptor - Meurth-et-Moselle,...
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PAIR FAUX TORTOISE NEOCLASSIC REVIVAL HARDWOOD PYROGRAPHY URNS
each vasiform shaped and molded vessel, the shoulders fitted with square section “D” handles, the body tapering sharply to cylindrical neck, rising to thick flat rim, tapering gently at the...
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MAURICE BONAMI SPECIMEN WOOD ART
each of various turned trumpet Shaped form in oak, teak and walnut - For: DeCoene Frères - Belgium - 1950s - some with leaf stand or hand written...
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FRENCH LIMESTONE SCULPTED LAMP
the abstract deeply sculpted, shaped and molded square section form, tapering at the base to narrow collar, flaring to irregular square plinth base; indistinguishable carved signature on plinth and fitted...
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WILLY GHUL COMPOSITE PLANTER
of circular vasiform shape with bulbous base and tapering waist, flaring to rolled rim and ending in gently flaring foot; the whole retaining moss and lichen patination, drilled CA...
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