20TH CENTURY
ATTRIBUTED TO PIERRE CASANOVE GILT BRONZE AND WALNUT COCKTAIL TABLE
the later rectangular hand planed old growth walnut top, embraced at the corners by shaped and moulded hammered arms; the whole raised on circular section similarly hammered arms, rising to...
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BELGIAN 1970’s STAINLESS STEEL PAINTED PANEL
the rectangular contiguous triptych form on wood frame; the whole enriched with bold black painted abstract with patinated glazed finish Artist unknown Overall diameter: 32 1/4” x 76 3/4”...
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BELGIAN ‘MARTYR’ BLUE STONE AND OAK COCKTAIL TABLE
the rectangular inset stone top with geometric cut marks, within thick rectangular section oak frame with mortise and tenon construction, continuous with square section legs - stone repurposed from 19th...
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ANGELO MANGIAROTTI CERAMIC “VESUVIO” URN FOR GABBIANELLI
of wide outward flaring white enameled form rising gently to ribbed collar and rolled rim, raised on ribbed flat plinth foot CA 1970 - high Relief “6” under base with...
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ANGELO MANGIAROTTI CERAMIC “VESUVIO” URN FOR GABBIANELLI
of wide outward flaring white enameled form rising gently to ribbed collar and rolled rim, raised on ribbed flat plinth foot CA 1970 - high Relief “6” under base with...
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MIKE FAIR
of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;...
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MIKE FAIR
of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;...
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KAARE KLINT ‘RED’ ARMCHAIR - MAHOGANY, NIGER LEATHER
designed in 1930, executed in 1935 by Rud. Rasmussen A/S, Denmark manufacturer’s paper label and architect’s monogrammed paper labelunder seat frame: RUD. RASMUSSENS SNEDKERIER 45 KØRREBROGADE 158_ _(?) Overall dimensions:...
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MIKE FAIR
of rectangular form of Baltic birch plywood with the surface subtly sculpted to reveal the glue lines creating shifting ethereal patterns Signed: Mike Fair 2023 Overall dimensions: 13 1/2” wide...
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MIKE FAIR
of rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography...
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DON REITZ SALT FIRED BLACK CLAY CHARGER
- signed: REITZ 1988
Overall dimensions: 4”deep x 24” diameter
Don Reitz(1929-2014) Arizona
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J.PEREZ & P ARAGAY FOR MARSET 1960’S
adjustable
chrome, black painted metal
Barcelona, Spain
a table lamp also exists
overall dimensions lampshade: 9” diameter overall height: 60”
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NAGALAND JACKWOOD TABLE/BED
of massive singular hand carved shaped and molded slightly irregular rectangular form, the larger end with Great Hornbill style beaks across the length, carved in high relief; the whole contiguous...
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TONI ZUCCHERI for VENINI MURANO GLASS, PARCEL GILT AND STAINLESS STEEL LAMP
- flecks of gold in the inverted dome of the glass Toni Zuccheri ( 1936-2008) Italy Zuchheri graduated from the Academy of Architecture in Venice, where he learned from various...
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S/4 FRENCH “AVIATION” IRON SIDECHAIRS
each with concave shield back, joined to attached upholstered box cushion, raised on “T” section scrolling “C” form back leg with progressive circular piercing ending in fin foot, the front...
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1970’S ITALIAN BLUE-GREY AND WHITE GLASS TABLE
the circular section gently bulbous form tapering to rolled edge and molded and shaped inset top, tapering to straight flat foot; the interior in white glass From a factory in...
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LUCIFERO SGARBATI Presents DOMENICO GENTILI 1977
steel wire, eye hooks on maple pine frame - overall dimensions: 19 1/2” wide x 19 1/2” high signed in graphite: Lucifero Sgarbati 77 Domenico Gentili (1933- ) Bologna, Italy...
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LUCIFERO SGARBATI Presents DOMENICO GENTILI “La Libertá” 1977
steel wire, eye hooks on maple
pine frame - 28 1/2” wide x 20 1/2” high
signed in graphite: Lucifero Sgarbati 77
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ITALIAN MID CENTURY STUDIO POTTERY
the brown and off white contrasting circular section vasiform shape, fitted with rectangular flat handle at neck, rising to flat rim and resting on flat foot; the whole enriched with...
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PR. BUGIA PAINTED IRON LAMPS BY GIUSEPPE CORMIO
each with rectangular section “c” shaped base, suspending semi-circular dome with pierced elongated center CA1976 - for IGuzzini - In 1975 Giuseppe Cormio drew the lamp and presented it at...
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NERONE CECCARELLI & GIANCARLO PATUZZI ATTRIBUTED MOSAIC OF WALNUT PEDESTAL
of circular section compound bulbous form, with flat center band, tapering to stylized dentil moulded narrow collar, flaring to compound moulded inset top, the scalloped waist flaring to compound moulded...
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PAIR FRANK LLOYD WRIGHT OAK SLANT-BACK SIDE CHAIRS
each with planar construction and strict geometric elements adhering to the principals of his Prairie School style architecture with diagonal rectangular section back panels, flanked by square section legs, surmounted...
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TRAMP ART LIDDED BOX
the finely carved and deeply layered pyramidic shaped pedestal, fitted with similar five sided box each side ending in flat rectangular end, fitted with contiguous conforming lid the base displaying...
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PAIR OLOF HULT “SNÄCKURNAN” CAST IRON URNS
each deep dish oval form with irregular shell - like ribbing, fitted at the shoulders with naturalistic loop handles, rising to flaring rim, tapering intensely to circular flaring flat foot;...
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PR. KRISTIAN SOLMAR VEDEL PALISANDER AND LEATHER ARMCHAIRS
For MODUS - Denmark Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father of modern Danish furniture design, as well as the German Bauhaus school. His now classic...
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TWO BELGIAN INDUSTRIAL PORCELAIN AND CEMENT STANDS
each square section top, with canted edge and inlaid porcelain center, over conforming apron, raised quartet of inset tapering fluted legs; the whole retaining traces of blue painted finish 20th...
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MEXICAN EARTHENWARE “BLOW FISH” VASE
of massive ovoid form with high relief concentric spines, rising to narrow neck and flaring to circular rolled rim, ending in flat bottom; the whole enriched with mottled red, black...
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HISPANO-MORESQUE STYLE LUSTREWARE CHARGER
of shallow ovoid dish form, with shaped and molded central boss within concentric band rising to rolled edge ending in pierced hollow foot; the whole enriched with cobalt blue center...
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PAIR RATTAN ARMCHAIRS
attributed to Franco Albini, the flaring concave back with contiguous finials on conforming bucket seat, joined by duel outward flaring arms contiguous with front and back legs, joined by perimeter...
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NORMAN BEL GEDDES ALUMINUM AND WOOD STOOL
in the “Industrial Style” with oval later upholstered seat over conforming wood apron, flanked by concave straight legs CA 1930 - USA Overall dimensions 15” deep x 22” wide x...
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FAUX BOIS CEMENT ARMCHAIR
of naturalistic moulded and shaped form with downward curving crest rail and similar central splat, rising to flaring, nearly straight arms, to circular section moulded and shaped seat with conforming...
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TWO FINNISH PROTOTYPE STRAP WORK METAL PAINTED LAMPS
Circa 1970 created as prototypes and never placed into production Boldly stamped : VSK (possible craftsmans mark) Overall dimensions: 8 1/2” square x 12” high - Rewired for U.S. ...
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KRISTIAN SOLMAR VEDEL CHESTNUT AND LEATHER ARMCHAIR
for MODUS - Denmark CA1960 - very fine condition Overall dimensions: 25” deep x 28” wide x 30” high Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father...
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Robert Downs “Wheels of Tibet”, 1958 Abstract / Impressionist
- oil on canvas - signed on reverse: R. DOWNS FEB, 58 Provenance: Erick Estorick - lent to Los Angles County Museum of Art Overall Dimensions: 69 1/2 x 68”...
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FRENCH ART DECO EBONIZED AND MARQUETRY INLAID CONSOLE
the rectangular top with rounded front corners and molded edge over panel centering marquetry inlaid frieze depicting figures of classic antiquity, flanked by pair of scrolling fluted supports on rectangular...
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ITALIAN 1970’s IRON AND TRAVERTINE BRUTALIST CENTER TABLE
the rectangular unfilled travertine top with straight edge, over geometric pierced conforming apron, raised on contiguous circular section tripod legs with circular pierced knees, end g in cone shaped travertine...
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BELGIAN GALVANIZED STEEL “SALVAGE” PANEL
of abstract irregular form, the edges rusted naturally over time
Early 20th Century
Approximate Overall diameter: 50” x 108”
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1960’s STONEWARE PLAQUE
the terra cotta colored rectangular panel with molded and shaped border, centering raised rectangular high relief reserve depicting reclining male nude, his arms clasped behind his head, facing forward with...
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FRENCH MODERNIST CHESTNUT AND STEEL ARMCHAIR
the rectangular pitched back consisting of rectangular section slats, joined to similar seat and back foot-rail extending to the floor, with contiguous square section straight arms, extending to the floor,...
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PIET BLOM BASTILLE CHAIR
of lacquered beechwood, edition of 400 (less than 200 remaining), few in original condition like this one; manufacturer’s name on metal caps :Huizinga Utrecht Provenance: University of Twente, Enschede, The...
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AMERICAN TRAMP ART MAHOGANY AND OAK INLAID WOOD TABLE
the square section geometric two tone top, over straight apron with ripple moulded bottom edge, raised on four square section tapering legs, joined by “X” stretcher, all with similar ripple...
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ITALIAN 1970’s PINE TABLE
in the manner of Mario Ceroli, the rectangular plank top with straight edge, over “Z” shaped planked concentric paneled base Overall dimensions: 33” deep x 70 1/2” wide x 31”...
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BRAZILIAN MONKEY PUZZLE LAMP
the circular section bulbous highly figured tapering base, rising to narrow dark wood neck, surmounted by circular section slightly bulging shade with similar dark wood banded base, tapering to circular...
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PAIR AUGUST VOGEL BRONZE BRAZIERS
each oval molded basin shaped “en gondole” enriched with anthemion and acanthus decoration, surmounted by allegories of Flora and Bacchus with attached strap handles respectively; the figure of Flora holding...
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INGRID OF SWEDEN RED ALUMINUM, CANVAS, ROPE AND BEECHWOOD LAMP
Monsterskyddad model, 1970 - Sweden
Ingrid of Sweden fabric label sewn into seem of shade
Overall dimensions: 19 1/2" d x 19 1/2" w x 30" h
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‘QUADRIFOLGIO’ ACRYLIC AND CHROME FLOOR LAMP BY LUIGI MASSONI FOR GUZZINI
designed by Luigi Massoni, the head of design at Guzzini in collaboration with Studio G6, a company formed by the 6 Guzzini brothers CA1970 - Italy Overall dimensions: 20” diameter...
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GERMAN BRUTALIST CARSTENS KERAMIK EWER
of bulbous ovoid form exhibiting subtle ribbed body, fitted with massive shaped and molded rectangular section pierced “d” ring handle to the neck and waist, rising to flaring rim and...
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ITALIAN MID-CENTURY STUDIO POTTERY
of two tone colored beige and grey circular section vasiform shape with applied pierced circular “d” ring type seemingly random handles, rising to flat rim and raised on flat foot;...
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