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11 LURISTAN BRONZE CHALICES

each of various circular deep dish forms tapering to sharp edge and raised on circular section or square section feet; some with incised geometric bands, and all with archeological patination... Learn More

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1970s EDWARD FIELDS “SERENDIPITY” SCULPTED WOOL AREA RUG

depicting an abstract modern Baroque design of “c” and “s” scrolls in compound layered reserves in salmon, pale orange, ochre, off-white and grey on a blue-green ground Overall dimensions: 11’... Learn More

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26 CHINESE ART DECO HANDMADE GILT WALLPAPER PANELS

  each rectangular form with hand applied gold leaf with unfinished borders; patination varies creating unique and individual pieces, now floating in clear lucite panel within simple white lacquer frame... Learn More

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A. SEIFERT CUBIST CHERRYWOOD SCULPTURE

the carved and molded seated rectangular section seated nude male abstract form; head with furrowed brow over broad tapering flat nose, his chin resting on crossed arm and fist, toes... Learn More

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ACHI SULLO MIXED MEDIA

untitled wood, metal, paint Achillo “Achi” Siullo (1922 - 2013) Medford, Massachusetts    Download tearsheet Learn More

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ADJUSTABLE PINE AND PAINTED IRON STOOL

CA 1930 Belgium Overall dimensions: 19” Diameter x 18” to 23” High   Download Tearsheet Learn More

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AFRICAN JACARANDA CHIEFTAIN’S CHAIR

the double headed carved shaped and molded bird back, rail raised on circular section supports and joined to rectangular paneled seat, flanked by rectangular section rails with inlaid circular tin... Learn More

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AFRICAN JACARANDA CHIEFTAIN’S CHAIR

the double headed carved shaped and molded bird back rail, joined to similar arms, raised on circular section supports and joined to rectangular paneled seat incised with concentric geometric squares,... Learn More

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ALBERTO GERARDI WROUGHT IRON AND COPPER BELLS

each hand-wrought tapering octagonal section stem, with geometric compound moulded center joint, rising to intertwined naturalistic vines and berries, encircling hand hammered pierced bell suspended from center finial, ending in... Learn More

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ALFRED BURZLER AND THOMAS EXNER RED PAINTED SHEET METAL PROTOTYPE TABLE

of continuous intersecting rectangular tapering looped forms with outward tapering sides; the whole displaying red painted finish   Prototype 2009 – for Copa, Austria The design for the coffee-table follows... Learn More

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AMETHYST AND WHITE QUARTZ FRAGMENT

constructed of irregular form, now mounted as lamp with adjustable two light slant cluster and raised on gilt wood base and fitted with gilt wood finial and silk shade  CA1950... Learn More

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ANGLO INDIAN ‘BLACKWOOD’ SIDECHAIR

the pierced cartouche shaped minutely carved back depicting scrolling floral and foliate tendrils joined to round inset thick pleated box seat with embroidered top depicting elaborate arched temple with exotic... Learn More

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APULIAN BLACK - FIGURE SKYPHOS

of deep dish ovoid form, fitted at the shoulders with loom handles, rising to slightly flaring rim, tapering to flaring wide hollow foot; the whole enriched with central band of... Learn More

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APULIAN RED-FIGURE HYDRIE

depicting a young naked dancing epebe holding a thyrse in his right hand and his chlamys in his left with palm leaf, facing woman dressed in a himation holding a... Learn More

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ASANTE (ASHANTI) HARDWOOD LEATHER AND BRASS CHIEFTAIN’S THRONE CHAIR “ASIPIM”

the rectangular leather panel back secured by studs and surmounted by brass finials with square section supports joined to similar square leather seat, raised on square section legs joined by... Learn More

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ATTIC RED FIGURE STYLE AMPHORA

of high shouldered ovoid form with attached twist form handles, rising to concave neck and flaring rim, raised on circular moulded base; the whole with black clay slip ground and... Learn More

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ATTICA BLACK - FIGURE LEKYTHOS

of bulbous ovoid form, fitted with loop handle, rising to narrow neck and flaring rim, raised on flaring hollow foot; the whole enriched with black painted decoration, with Theseus hunting... Learn More

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AUSTRIAN BAROQUE PAINTED AND PARCEL GILT MIRROR

the later hand beveled mercury plate within frame of carved and pierced acanthus, bordered by rib boned laurel and surmounted by reclining putti centering coronet, the base with cabochon carved... Learn More

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AUSTRIAN BIEDERMEIER BIRCHWOOD CENTER TABLE

the circular top over conforming straight apron onstepped column secured by conforming beveled molding, extending to down swept legs ending in scrolling feet   Circa 1825 Overall Dimensions: 43” diameter... Learn More

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AUSTRIAN BIEDERMEIER BURLWOOD AND PART EBONIZED GLOBE WORK TABLE

the semi-spherical hinged top-enclosing interior with rusticated pediment facade fitted with various drawers, raised on columnar support on triangular concave sided plinth   Circa 1830 Overall Dimensions: 18½” diameter x... Learn More

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AUSTRIAN BIEDERMEIER WALNUT CENTER TABLE

The oval top centering oval reserve with radiating veneers over conforming straight pron on paired tapering cavetto moulded egs width carved moulded socle,on conforming platform base In the manner of... Learn More

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BAVARIAN WALNUT BAILIFF TABLE

the removable plank top incorporating slide mechanism enclosing fitted interior, on shaped leg base incorporating single long drawer fitted with bail pull, secured by paired under stretchers with iron pins... Learn More

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BRECHE D’ALEP MANTLE

the rectangular top with moulded and shaped ogee edge over conforming apron with concave carved rib and compound moulded edge, raised on rectangular section legs with similar concave rib, and... Learn More

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BYZANTINE AFRICAN BRECCIA AND CARRERA MARBLE LION AND COLUMN

the fully carved recumbent figure contiguous with rectangular plinth, surmounted by cylindrical column with flaring base     12th – 13th century Overall dimensions: 11 ½” deep x 24” wide x... Learn More

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CAMPANIAN RED-FIGURED BAIL AMPHORA

the obverse with three female figures in chitons, the upper left semi nude figure holding a situla in her right hand and a phiale in her left, the upper right... Learn More

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CARLA MALONE EARTHENWARE VESSEL

In the manner of Western raku “reduction” technique CA1985 Carla Malone (1954-1996) Stockton, California Some of her best pieces remain in collections both private and public, including those of the... Learn More

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CARLO DE CARLI “LA PIPA” BERGERE

the rectangular back with shaped sides contiguous with seat, flat conforming leather upholstered arms; the whole raised on chrome plated circular section flaring legs and fitted with button tufted cushions   ... Learn More

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CARVED WOOD AND CREAM PAINTED PALM TORCHÈRE

  the fully sculpted standard carved in the manner of palm leaves;  the whole electrified and displaying original cream painted finish   Circa 1940 France Designer: Anonymous Overall dimensions: 25”... Learn More

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CATALONIAN PINEWOOD DROP-LEAF TABLE

the circular top incorporating two drop leaves, raised on straight round section legs with split leg pivot mechanism joined by square section perimeter stretchers 19th century Overall dimensions: 4ó” wide... Learn More

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CEYLONESE MAHOGANY AND SPECIMEN WOOD OCTAGONAL CENTER TABLE

the octagonal top centering ebony circular boss with radiating veneered exotic woods, including satinwood, palmwood, amaranth and ebony, with compound molded edge and flaring carved and piered floral and foliate... Learn More

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CHINESE ARCHAIC BRONZE GUI

of circular bulbous deep dish ribbed form, fitted with pierced  dragon head "D" shaped handles, rising to flaring rim, tapering sockle and flaring hollow base; the whole enriched with high... Learn More

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CHINESE ARCHAIC EARTHENWARE COVERED URN

of bulbous high shouldered ovoid form the sides fitted with pierced strap handles rising to narrow rim with flaring applied points on the shoulders, fitted with conforming articulated pierced tower... Learn More

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CHINESE ARCHAIC EARTHENWARE COVERED URN

of bulbous high shouldered ovoid form the sides fitted with pierced strap handles rising to narrow rim with flaring applied points on the shoulders, fitted with conforming articulated pierced tower... Learn More

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CHINESE ARCHAIC EARTHENWARE URN

of ovoid exaggerated bulbous form, the shoulders fitted with stylized anthropomorphic figures with drop ring handles, the body tapering to narrow flat rim, raised on similar tapering flat base; the... Learn More

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CHINESE ARCHAIC STYLE BRONZE CONTAINER

the circular waisted drum cowrie shell container, enriched with low relief geometric bands and reserves enclosing various human and animal figures, the sides fitted with fully realized standing tiger handles,... Learn More

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CHINESE ARCHAISTIC BRONZE GE YOU

of bulbous ovoid form, fitted with strap handle, formidable flanges, concentric fins and anthropomorphic projections, rising to narrow neck and flaring rim, surmounted by conforming domedcover with similar flanges and... Learn More

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CHINESE ARCHAISTIC BRONZE HU

of square section bulbous waisted form, each side fitted with dragon head pierced flat loose ring handles, rising to flaring flat banded rim and surmounted by conforming articulated domed cover... Learn More

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CHINESE ARCHAISTIC HARDSTONE CONG

of square section form, with hollow circular interior rising to flat edge; the whole with traces of archeological patination   Overall dimensions: 11 1/2” square x 5” thick   20th... Learn More

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CHINESE ARCHAISTIC HARDSTONE FRAGMENT

of irregular rectangular moulded and shaped axe form with bevelled edges, pierced through with a large aperture towards the narrow end; the whole mottled opaque stone of grey, beige, pale... Learn More
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Chinese Art Deco Cinnabar Lacquer Table

the rectangular top with softly rounded corners over conforming compound banded edge and serpentine apron, contiguous with tapering rectangular section legs ending in foliate foot; the whole with finely and... Learn More

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CHINESE BLACK LACQUER AND NACREOUS INLAID STAND

the square section top with lipped edge over high waisted openwork foliate inset panels and joined by a shaped rounded apron, resting on four tapering rectangular section cabriole legs ending... Learn More

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CHINESE BRONZE AND INLAYED GILT LAMP

in the form of a fully realized standing goose, with its head turned back and grasping a fish in it’s mouth, contiguous with circular section pierced and rotating shade fitted... Learn More

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CHINESE CAST IRON FRAGMENT

of fully realized cast and moulded form, depicting the head of a bodhisattva Guanyin with serene, benevolent, meditative expression and featuring Amitabha on the crown, elongated earlobes(to hear and reply... Learn More

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Chinese Chau Glazed Jar

of elongated oval high shouldered form, rising to narrow straight neck with rolled rim; the whole with pale cream glaze enriched with various brown painted foliate sprays and borders 960... Learn More

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CHINESE CHESTNUT ALTER TABLE

of rectangular section form with reeded edge, each end scrolling downward and ending in tight curl 18th - 19th Century 9 3/4" deep x 39" wide x 7 1/2” high... Learn More

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CHINESE EARTHENWARE PAINTED FIGURES

each of fully realized female form, draped in traditional Hanfu costume, with annimated stance, hair in high bun popular in the Eastern Han Dynasty, Wei and Jin Dynasty; the whole... Learn More

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CHINESE ELMWOOD PAINTING TABLE

the rectangular floating paneled top over square section straight legs, each corner joined by “Giant’s arm” braces     19th Century Overall Dimensions: 34” deep x 64” wide x 33”... Learn More

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CHINESE EXPORT BLACK LACQUER AND NACREOUS INLAYED TILT TOP TABLE

the circular hinged top over conforming straight apron on vasiform stem extending to downward curving rectangular shaped and moulded legs ending in conforming foot; the whole enriched with nacreous inlay... Learn More

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