20TH CENTURY
ANGELO MANGIAROTTI CERAMIC “VESUVIO” URN FOR GABBIANELLI
of wide outward flaring white enameled form rising gently to ribbed collar and rolled rim, raised on ribbed flat plinth foot CA 1970 - high Relief “6” under base with...
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5 SECTION ITALIAN MODULAR SOFA
Images showing 3 of 5 pieces; in the manner of Claudio Salocchi, in cognac leather, three with boxed rectangular back rests contiguous to the base, joined to square section seats...
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ATTRIBUTED TO PIERRE CASANOVE GILT BRONZE AND WALNUT COCKTAIL TABLE
the later rectangular hand planed old growth walnut top, embraced at the corners by shaped and moulded hammered arms; the whole raised on circular section similarly hammered arms, rising to...
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BELGIAN 1970’s STAINLESS STEEL PAINTED PANEL
the rectangular contiguous triptych form on wood frame; the whole enriched with bold black painted abstract with patinated glazed finish Artist unknown Overall diameter: 32 1/4” x 76 3/4”...
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ANGELO MANGIAROTTI CERAMIC “VESUVIO” URN FOR GABBIANELLI
of wide outward flaring white enameled form rising gently to ribbed collar and rolled rim, raised on ribbed flat plinth foot CA 1970 - high Relief “6” under base with...
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MIKE FAIR
of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;...
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MIKE FAIR
of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;...
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KAARE KLINT ‘RED’ ARMCHAIR - MAHOGANY, NIGER LEATHER
designed in 1930, executed in 1935 by Rud. Rasmussen A/S, Denmark manufacturer’s paper label and architect’s monogrammed paper labelunder seat frame: RUD. RASMUSSENS SNEDKERIER 45 KØRREBROGADE 158_ _(?) Overall dimensions:...
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MIKE FAIR
of rectangular form of Baltic birch plywood with the surface subtly sculpted to reveal the glue lines creating shifting ethereal patterns Signed: Mike Fair 2023 Overall dimensions: 13 1/2” wide...
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MIKE FAIR
of rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography...
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DON REITZ SALT FIRED BLACK CLAY CHARGER
- signed: REITZ 1988
Overall dimensions: 4”deep x 24” diameter
Don Reitz(1929-2014) Arizona
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J.PEREZ & P ARAGAY FOR MARSET 1960’S
adjustable
chrome, black painted metal
Barcelona, Spain
a table lamp also exists
overall dimensions lampshade: 9” diameter overall height: 60”
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NAGALAND JACKWOOD TABLE/BED
of massive singular hand carved shaped and molded slightly irregular rectangular form, the larger end with Great Hornbill style beaks across the length, carved in high relief; the whole contiguous...
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TONI ZUCCHERI for VENINI MURANO GLASS, PARCEL GILT AND STAINLESS STEEL LAMP
- flecks of gold in the inverted dome of the glass Toni Zuccheri ( 1936-2008) Italy Zuchheri graduated from the Academy of Architecture in Venice, where he learned from various...
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S/4 FRENCH “AVIATION” IRON SIDECHAIRS
each with concave shield back, joined to attached upholstered box cushion, raised on “T” section scrolling “C” form back leg with progressive circular piercing ending in fin foot, the front...
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1970’S ITALIAN BLUE-GREY AND WHITE GLASS TABLE
the circular section gently bulbous form tapering to rolled edge and molded and shaped inset top, tapering to straight flat foot; the interior in white glass From a factory in...
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LUCIFERO SGARBATI Presents DOMENICO GENTILI 1977
steel wire, eye hooks on maple pine frame - overall dimensions: 19 1/2” wide x 19 1/2” high signed in graphite: Lucifero Sgarbati 77 Domenico Gentili (1933- ) Bologna, Italy...
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LUCIFERO SGARBATI Presents DOMENICO GENTILI “La Libertá” 1977
steel wire, eye hooks on maple
pine frame - 28 1/2” wide x 20 1/2” high
signed in graphite: Lucifero Sgarbati 77
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ITALIAN MID CENTURY STUDIO POTTERY
the brown and off white contrasting circular section vasiform shape, fitted with rectangular flat handle at neck, rising to flat rim and resting on flat foot; the whole enriched with...
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PR. BUGIA PAINTED IRON LAMPS BY GIUSEPPE CORMIO
each with rectangular section “c” shaped base, suspending semi-circular dome with pierced elongated center CA1976 - for IGuzzini - In 1975 Giuseppe Cormio drew the lamp and presented it at...
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NERONE CECCARELLI & GIANCARLO PATUZZI ATTRIBUTED MOSAIC OF WALNUT PEDESTAL
of circular section compound bulbous form, with flat center band, tapering to stylized dentil moulded narrow collar, flaring to compound moulded inset top, the scalloped waist flaring to compound moulded...
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PAIR FRANK LLOYD WRIGHT OAK SLANT-BACK SIDE CHAIRS
each with planar construction and strict geometric elements adhering to the principals of his Prairie School style architecture with diagonal rectangular section back panels, flanked by square section legs, surmounted...
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TRAMP ART LIDDED BOX
the finely carved and deeply layered pyramidic shaped pedestal, fitted with similar five sided box each side ending in flat rectangular end, fitted with contiguous conforming lid the base displaying...
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PR. KRISTIAN SOLMAR VEDEL PALISANDER AND LEATHER ARMCHAIRS
For MODUS - Denmark Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father of modern Danish furniture design, as well as the German Bauhaus school. His now classic...
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MEXICAN EARTHENWARE “BLOW FISH” VASE
of massive ovoid form with high relief concentric spines, rising to narrow neck and flaring to circular rolled rim, ending in flat bottom; the whole enriched with mottled red, black...
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PAIR RATTAN ARMCHAIRS
attributed to Franco Albini, the flaring concave back with contiguous finials on conforming bucket seat, joined by duel outward flaring arms contiguous with front and back legs, joined by perimeter...
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FAUX BOIS CEMENT ARMCHAIR
of naturalistic moulded and shaped form with downward curving crest rail and similar central splat, rising to flaring, nearly straight arms, to circular section moulded and shaped seat with conforming...
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TWO FINNISH PROTOTYPE STRAP WORK METAL PAINTED LAMPS
Circa 1970 created as prototypes and never placed into production Boldly stamped : VSK (possible craftsmans mark) Overall dimensions: 8 1/2” square x 12” high - Rewired for U.S. ...
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KRISTIAN SOLMAR VEDEL CHESTNUT AND LEATHER ARMCHAIR
for MODUS - Denmark CA1960 - very fine condition Overall dimensions: 25” deep x 28” wide x 30” high Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father...
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Robert Downs “Wheels of Tibet”, 1958 Abstract / Impressionist
- oil on canvas - signed on reverse: R. DOWNS FEB, 58 Provenance: Erick Estorick - lent to Los Angles County Museum of Art Overall Dimensions: 69 1/2 x 68”...
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FRENCH ART DECO EBONIZED AND MARQUETRY INLAID CONSOLE
the rectangular top with rounded front corners and molded edge over panel centering marquetry inlaid frieze depicting figures of classic antiquity, flanked by pair of scrolling fluted supports on rectangular...
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ACHILLE & PIER GIACOMO CASTIGLIONI TARAXACUM PENDANT
white enameled steel frame with “cocoon” sprayed resin shade(process originally intended for military use) - created for Flos in the 1960’s - this pendant is documented in Giuliana Gramigna, Repertorio...
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FORNACE AGRESTI TERRA COTTA DOG
the fully realized molded and shaped sitting Cani Molosso figure, it’s head turned slightly to the left, his neck fitted with an elaborate studded collar in high relief with padlock...
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BURR BRASS, LUCITE AND WOOD PANEL by ESTON
- remnants from metal laser cutting machine - possible oxidation and color change over time - white lacquered frame Overall dimensions: 15 1/4” x 29” wide Download...
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PAIR CONTEMPORARY ALLIGATOR AND GLASS SIDE TABLES
each with circular section contiguous legs, with concentric ribs at the shoulders, rising to gently domed finials, suspending upper rectangular inset glass top within rectangular section inset frame, over lower...
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LOET VANDERVEEN LIMITED EDITION BRONZE FIGURE
depicting fully realized sculpted and molded standing “RHINO”, head forward, back right foot in motion; the whole with soft bronze patina 78/250 Loet Vanderveen (1921-2015) Dutch-American Bronze Sculptor ...
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PR. FRENCH COGNAC LEATHER LOUNGE CHAIRS
with strap work and brass fittings
removable cushions secured by zippers
1980’s
Overall dimensions: 40” deep x 42” wide x 32” high
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SENUFO HARDWOOD LOW CHAIR
the circular section hand carved yoke-shaped back rail with circular section long supports, joined tomolded and shaped seat rails with flat fronts, joined by thin worn seat; the whole raised...
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GIORGIO DE FERRARI OPALINE GLASS LAMP
- for VeArt, 1970 - of cubic shaped form with rounded corners, matte finish, centering metal closure with “D” ring pierced handle – Overall dimensions: 13 1/2” x 13...
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PR. ITALIAN ART DECO WALNUT ARMCHAIRS
each with concave flaring wide splat with additional lower braces, joined to rectangular section straight arms with similar supports and braces, with cane seat and loose upholstered leather cushion, the...
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ITALIAN PARQUETRY WOOD BOX
of rectangular lidded hinged form consisting of rosewood and maple three dimensional diamond pattern , enclosing hollow interior; the whole raised on fully realized bronze turtles and fitted at the...
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8 JEAN LOUIS DELENATTE GOUACHE
- colorist, artist
- Influenced by Edouard Georges and Adrien Seguin
Dimensions:2 5”wide x 31”high
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JEFFREY JENKINS
- reverse signed: Jeffrey Jenkins 1989 - untitled (unite series) - Paper label also with the above description from Stux Gallery, Broadway, New York - Overall dimensions: 25” wide x...
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TURKISH UZBEK PATCHWORK PARCHA KILIM
of primarily ochre and brown square form, consisting of various rectangular assembled carpets with floral and foliate decoration, loosely sewn together with heavy ochre thread, backed with black cotton liner...
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TACCIA by ACHILLE AND PIER GIACOMO CASTIGLIONI FOR FLOS
the concave fluted aluminum stem rising to inset chrome neck with flaring rim, surmounted by deep dish circular clear glass bowl, fitted with massive concave white enameled aluminum concave diffuser;...
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PR. VITTORIO DASSI MAHOGANY AND PARCEL GILT BERGERES
each rectangular tapering leather upholstered back with contiguous rolled arms and “U” shaped seat with loose boxed seat cushion; the whole embraced by wide mahogany back brace raised on circular...
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AREA 50 CURVA BY MARIO BELLINI
metal base and lacquered metal stem, polycarbonate fittings and synthetic textile diffusor Overall dimensions: 18” d x 17” w x 22” high -Mario Bellini for Artemide - 1974 -Mario...
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“THE HOLLOWAY READING STAND”
The dictionary table and reading-book rest are of wood, usually finished in the natural grain, with hard- oil polished surface. Remaining parts are of metal, of a light and artistic...
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