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Accessories

Accessories

CHINESE BLUE AND WHITE URN

the hexagonal section high shoulder form surmounted by conforming cover, sitting on flat base; the whole enriched with central large chrysanthemum’s floating on swirling floral ground with band of lappets... Learn More

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CHINESE ARCHAISTIC BRONZE JIAODOU

of bulbous ovoid deep dish form, fitted with two rectangular section “D” ring pierced handles and short spout at the rim, surmounted by conforming domed conforming cover fitted with pierced... Learn More

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MING PAINTED AND GLAZED URN

of high shouldered deep ovoid form, tapering to flat rim, surmounted by gently domed shaped and moulded conforming lid, tapering to flat foot; the whole enriched with pale gray glaze... Learn More

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ROMAN RED WAX INTAGLIOS

each gilt foil wrapped oval or circular piece with various low relief Classical scenes and figures; now mounted on floating panel within white painted frame (80 pieces available, some without... Learn More

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TURKISH EARTHENWARE GLAZED BOWL

of ovoid cream glazed shallow dish form, gently flaring to flat rim, tapering to footed base; the whole enriched with line drawn brown glazed central tree-form medallion within duel line... Learn More

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THAI ANGKORIAN PERIOD EARTHENWARE PAINTED JAR

of ovoid high shoulder form with incurved neck rising to flaring rim, raised on hollow flaring foot; the whole enriched with “dressed” sides and retaining traces of incised geometric red... Learn More

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SUNG GREEN GLAZED EARTHENWARE LIDDED POT

of towering circular section deep dish form, with applied concentric wave form high relief bands, fitted with conforming domed cover with similar wave form bands centering domed handle, tapering to... Learn More

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HAN BLACKWARE PAINTED LANTERN

in the form of a fully realized standing duck, with high relief molded feathers, expressive eyes and webbed feet, the head looped downward grasping in its beak a circular section... Learn More

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ITALIAN BRONZE BRAZIER

“in the “Pompeiian taste”, the shallow ovoid form with straight sides centering horizontal band, fitted to octagonal tapering supports rising to foliate cobra heads, joined by demountable x-shaped stretchers by... Learn More

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BYZANTINE PORPHYRY FRAGMENT

the fully realized sculpted and molded head of a  cherubic youthful male, with full billowing hair, the top flat, a small nose between deep set eyes over closed mouth; the... Learn More
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ALBERTO GERARDI WROUGHT IRON AND COPPER BELLS

each hand-wrought tapering octagonal section stem, with geometric compound moulded center joint, rising to intertwined naturalistic vines and berries, encircling hand hammered pierced bell suspended from center finial, ending in... Learn More

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11 LURISTAN BRONZE CHALICES

each of various circular deep dish forms tapering to sharp edge and raised on circular section or square section feet; some with incised geometric bands, and all with archeological patination... Learn More

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OLD SHEFFIELD PLATE CANDLESTICK

in the Adams style, with the articulated tapering circular section fluted stem with moulded and shaped ram’s heads at the shoulders, supporting stop-fluted urn with Greek key trim and later... Learn More

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ISLAMIC BRASS AND COPPER CANDLESTICK

the vasiform cylindrical turned stem, surmounted by circular section gadrooned nozzle with central duel band, resting on cushion moulded square section base; the whole raised on slipper feet and displaying... Learn More

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CHINESE CAST IRON FRAGMENT

of fully realized cast and moulded form, depicting the head of a bodhisattva Guanyin with serene, benevolent, meditative expression and featuring Amitabha on the crown, elongated earlobes(to hear and reply... Learn More

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CHINESE ARCHAISTIC HARDSTONE CONG

of square section form, with hollow circular interior rising to flat edge; the whole with traces of archeological patination   Overall dimensions: 11 1/2” square x 5” thick   20th... Learn More

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CHINESE ARCHAISTIC HARDSTONE FRAGMENT

of irregular rectangular moulded and shaped axe form with bevelled edges, pierced through with a large aperture towards the narrow end; the whole mottled opaque stone of grey, beige, pale... Learn More

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MAX INGRAND CHROME AND GLASS MIRROR

the slightly concave beveled circular pale red frame, fitted in the center with a chrome lined beveled mirror   CA 1950 - Italy for Fontana Arte   Max Ingrand ( French,... Learn More

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CHINESE HARDSTONE CONG

the square section massive form with raised circular pierced center Overall dimensions: 5” deep x 11” squsare    Download tearsheet Learn More

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JOHN FLAXMANPLASTER INTAGLIOS

56 various oval, rectangular, and square forms, each with classical figure or scene; now mounted in Chinese Chippendale style giltwood frame John Flaxman ( 6 July 1755 - 7 December... Learn More

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CHINESE SANG-DE-BOEUF PORCELAIN VASE

of high shouldered ovoid form, rising to narrow neck, flaring to wide rim, ending in low foot; the whole enriched with thick red glaze, fading to white rim and interior... Learn More

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CHINESE SANG-DE-BOEUF PORCELAIN VASE

of bulbous ovoid form, rising to narrow banded neck and flaring to wide rim, ending in high foot; the whole enriched with thick red glaze, fading to white at the... Learn More

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PAIR SPANISH BAROQUE GRANITE FINIALS

each with circular section deeply carved foliate sheathed collar issuing tapering cup, raised on moulded sockle and square plinth 17th - 18th Century - Catalonian Overall dimensions: 12” square x... Learn More

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HAN ARCHAISTIC BRONZE URN

of square section form with swelling sides rising to concave neck and raised on flaring base, the shoulders fitted with relief molded dragon drop-ring handles and surmounted by conforming domed... Learn More

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CHINESE MARBLE ORNAMENT

of massive thin irregular shaped and moulded rectangular form, possibly depicting an ax head, with circular  beveled  piercings Overall dimensions: 11” wide x 20 1/2” high Undetermined age - possibly... Learn More

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ROMAN MARBLE FRAGMENT

depicting a fully realized youthful Dionysis; the whole retaining archeological Patination, now raised on red porphyry plinth 1st Century B.C.E. Provenance: Private Southern California Collection pre 1970 Overall dimensions: 5... Learn More

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ATTIC RED FIGURE STYLE AMPHORA

of high shouldered ovoid form with attached twist form handles, rising to concave neck and flaring rim, raised on circular moulded base; the whole with black clay slip ground and... Learn More

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YEHOSHUA KOVARSKY ABSTRACT OIL ON CANVAS

Signed: Y. Kovazsky 60’ Overall dimensions: 35 1/2” high x 42” wide   Yehoshua Kovarsky (1907-1967) Studied under Andre Lot and Paul Colin. In 1936 returned to Israel, took resident... Learn More

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SAMUAL S. MESSENGER & SONS SILVER PLATE AND CUT CRYSTAL OIL LAMP

the fluted stem, surmounted by Corinthian capital and crystal reservoir, raised on square section plinth with applied laurel leave mounts on gadrooned flaring stepped base; the whole now electrified with... Learn More

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WARRING STATES BRONZE SWORD

the short double edged thin rectangular tapering blade, flaring hilt deeply incised with toatie mask, the pommel with high relief beeded and ribbed decoration; the whole with bronze verdi -... Learn More

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SET OF FOUR EGYPTIAN LIMESTONE PAINTED FRAGMENTS

of various thin forms and scenes in low relief, retaining traces of original color; now mounted on bronze stands, two with gilded edges New Kingdom: 1657 -  1085 B.C.E. Overall... Learn More

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CHINESE WARRING STATES CAST BRONZE SWORD

the short double edged tapering blade with gently raised central midrib, with flaring hilt and transverse discoid ribs to the grip and larger discoid pommel above; the whole with bronze... Learn More

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APULIAN BLACK - FIGURE SKYPHOS

of deep dish ovoid form, fitted at the shoulders with loom handles, rising to slightly flaring rim, tapering to flaring wide hollow foot; the whole enriched with central band of... Learn More

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CHINESE NEOLITHIC PAINTED EARTHENWARE URN

of bulbous ovoid form fitted with loop handles at the waist, rising to narrow neck with flaring rim, tapering to flat foot: the whole enriched with geometric cross hatch reserves... Learn More

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CHINESE ARCHAIC EARTHENWARE URN

of ovoid exaggerated bulbous form, the shoulders fitted with stylized anthropomorphic figures with drop ring handles, the body tapering to narrow flat rim, raised on similar tapering flat base; the... Learn More

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WARRING STATES CAST BRONZE AND GOLD INLAID SWORD

the short double edged tapering blade with raised central midrib, flaring hilt encised with toatie mask and transverse discoid ribs to the grip and larger discoid pommel above; the whole... Learn More

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CHINESE LONGQUAN CELADON VASE

of attenuated form,  with ovoid body rising to narrow fluted neck and rolled edge, raised on a tall foot, the sides finely incised with a cross-hatched pattern and lappet border... Learn More

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ROBERT J. WROUGHT IRON CANDLESTICKS

of slightly different heights, the hand wrought rectangular tapering stem contiguous with flaring “folded” foot, surmounted by circular deep dish bobeche with foliate edge Stamped: Robert J. Overall dimensions: 3”... Learn More

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ACHI SULLO MIXED MEDIA

untitled wood, metal, paint Achillo “Achi” Siullo (1922 - 2013) Medford, Massachusetts    Download tearsheet Learn More

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HAN STYLE CELADON EARTHENWARE URN

of bulbous ovoid form with concentric rings in relief, the shoulders fitted with low relief anthropomorphic mask loose ring handles, rising to tapering neck and flaring architectonic rim, tapering to... Learn More

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JAPANESE BLACK LACQUER AND GILT BASIN

of deep dish ovoid ribbed form, with slight taper, raised on bracket tripod feet; the whole enriched with hiramaki-e decoration depicting chyrsanthemum blossoms amongst swirling flower heads Edo Period (1603... Learn More

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CHINESE NEOLITHIC PAINTED EARTHENWARE URN

 of bulbous ovoid high shouldered form, fitted with loop handles at the waist, rising to narrow neck, slightly flaring at the rim and steeply tapering to flat foot; the whole... Learn More

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LINE VAUTRIN STYLE MIRROR

  of flat circular form composed of gold painted lead and inlayed with green glass in a starburst pattern with a central circular mirror    After Line Vautrin’s ‘ Soleil... Learn More

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ITALIAN SPECIMEN MARBLE MIRROR

the rectangular mercury plate, surmounted by compound moulded cornice with dentil moulding, over frieze with applied lead mounts depicting the head of Zeus centering diamond reserve, over flat rectangular section... Learn More

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CHINESE EARTHENWARE PAINTED FIGURES

each of fully realized female form, draped in traditional Hanfu costume, with annimated stance, hair in high bun popular in the Eastern Han Dynasty, Wei and Jin Dynasty; the whole... Learn More

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CHINESE BLACK LACQUER AND NACREOUS INLAID STAND

the square section top with lipped edge over high waisted openwork foliate inset panels and joined by a shaped rounded apron, resting on four tapering rectangular section cabriole legs ending... Learn More

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SWEDISH GUSTAVIANSK FAIENCE STOVE

of rectangular form with canted corners , supporting back-set conforming chimney-brest with moulded cornice, the whole raised on white painted wood stand and decorated in underglaze blue on white ground... Learn More

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CHINESE ARCHAIC EARTHENWARE COVERED URN

of bulbous high shouldered ovoid form the sides fitted with pierced strap handles rising to narrow rim with flaring applied points on the shoulders, fitted with conforming articulated pierced tower... Learn More

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