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FRENCH MAHOGANY TABLE

in the manner of Pierre Jeanneret; the rectangular massive mahogany plank top of two sections with conforming mitered flat edge, raised on a lateral base tablette Circa 1935 Overall dimensions:... Learn More

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FRENCH MODERNIST CHESTNUT AND STEEL ARMCHAIR

the rectangular pitched back consisting of rectangular section slats, joined to similar seat and back foot-rail extending to the floor, with contiguous square section straight arms, extending to the floor,... Learn More

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FRENCH REGENCE STYLE CAENSTONE MANTLE

the rectangular lintel with molded edge over conforming apron, raised on downswept scrolling legs contiguous with block plinth   19th century Overall dimensions: 37 3/4’’ high x 45 1/4’’ wide... Learn More

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GEBRÜDER THONET EBONIZED AND CANED DAYBED

  the rectangular caned back with rounded corners, joined to similarly caned rectangular seat by adjustable ratchet mechanism, fitted with caned footrest and secured with rods; the whole raised on... Learn More

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GENOVESE LATE BAROQUE GILTWOOD MIRROR

of concave octagonal form with foliate carved descending articulated reserves around central octagonal panel; the whole within rectangular section paneled frame, now mounted on iron tripod and retaining later hardware... Learn More

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GEORGE IV MAHOGANY AND PARCEL GILT EXTENDING TABLE

the two section oval top with shaped cushion moulded edge and conforming inset apron over compound moulded circular section base centering egg and dart carved ring, splitting to reveal single... Learn More

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GERMAN ART MODERNE ROSEWOOD AND BLACK LACQUER CREDENZA

the top of asymmetrical rectangular shape with rounded end, over conforming case incorporating pair hinged doors with round section bar handles, raised on shaped plinth; the opposing squared end fitted... Learn More

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GERMAN BAROQUE SANDSTONE MANTLE

the gently shaped lintel with moulded edge and engaged pilasters centering oval reserve on conforming rectangular supports with relief carved rectangular reserves centering scrolling pendant with bellflower, on moulded plinths... Learn More

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GERMAN BRUTALIST CARSTENS KERAMIK EWER

of bulbous ovoid form exhibiting subtle ribbed body, fitted with massive shaped and molded rectangular section pierced “d” ring handle to the neck and waist, rising to flaring rim and... Learn More

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GERMAN EMPIRE MAHOGANY AND PARCEL GILT DESK

the rectangular single board top flanked by pair drop leaves over straight apron incorporating single drawer and carved and moulded edge, over rectangular panel supports with attached demi-athenienne with carved... Learn More

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GERMAN NEOCLASSIC GILTWOOD CHANDELIER

the banderole carved circular ring suspending foliate spindle and strapwork frame ending in ball finial, surmounted by similar compound carved fluted and foliate vasiform finial, supporting four pair downward scrolling... Learn More

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GERMAN NEOCLASSIC STYLE BRONZED IRON EGLOMISE AND NACREOUS INLAID TABLE

 the circular top with moulded rim fitted with conforming panel with nacreous and penwork inlaid depictions of birds and various mythological beasts on black ground, with nacreous inlaid lozenge and... Learn More

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HAN BRONZE LADLE

of shaped and molded concave form, narrow at the handle, flaring to create spoon; the whole with bronze verdigris archeological patination Overall dimensions: 3 1/2” high x 12 1/2” long ... Learn More

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HAN EARTHENWARE HORSE

of fully realized sculpted and moulded form with right foot forward and head down; the whole raised on conforming low plinth and retaining traces of archeological patination    Han Dynasty... Learn More

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HAN BLACK EARTHENWARE LIFAN

of articulated bulbous form shaped and moulded with two high relief spirals, rising to everted rim moulded I the the form of a square creating two spouts, fitted with broad... Learn More

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HAN BLACK EARTHENWARE LIFAN

of articulated bulbous form shaped and moulded with two high relief spirals, rising to everted rim moulded I the the form of a square creating two spouts, fitted with broad... Learn More

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HAN BLACKWARE EARTHENWARE FANG HU URN

of square section bulbous form with articulated tapering narrow neck, fitted with anthropomorphic  heads and flaring to flat rim, raised on contiguous flaring solid foot; the whole enriched with low... Learn More

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HAN BRONZE GUI

of bulbous ovoid melon ribbed form, flanked by relief molded toatie mask bands, fitted with two rectangular section molded and shaped lateral pierced ears projecting from the jaws of anthropomorphic... Learn More

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HAN BRONZE LIDDED HU

of bulbous form, tapering to flaring flat neck, fitted at the shoulders with dragon head loose ring handles and surmounted by conforming domed top with applied loop handle, ending the... Learn More

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HAN BRONZE LIDDED HU

of bulbous form, tapering to flaring flat neck, fitted at the shoulders with dragon head loose ring handles and surmounted by conforming domed top with applied loop handle, ending the... Learn More

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HAN BRONZE STOVE

of miniature boat shaped hollow form tapering downward at the sides, the top fitted with removable pair of steam pots, one with ladle, a large circular pan and a dragon... Learn More

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HAN CELEDON EARTHENWARE HU

of bulbous ovoid form rising to narrow neck and flaring everted rim, tapering to flat bottom with kiln supports; the whole displaying degraded iridescent green lead glaze and traces of... Learn More

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HAN CELEDON EARTHENWARE HU

of bulbous ovoid form rising to narrow neck and flaring everted rim, tapering to flat bottom with kiln supports; the whole displaying degraded iridescent green lead glaze and traces of... Learn More

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HAN CELEDON EARTHENWARE JAR

of bulbous ovoid high shouldered form, tapering to rolled rim and tapering gently to flat foot; the whole displaying archeological patination     Han Dynasty 206 B C.E. - 220... Learn More

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HAN CELEDON GLAZED EARTHENWARE HU

of bulbous ovoid form with low relief concentric bands at the center and lower neck, tapering and then flaring to banded rim, tapering sharply to flat bottom; the whole enriched... Learn More

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HAN EARTHENWARE CELADON GLAZED PLATE

of ovoid shallow tapering form with circular  incised center rising gently to flat tapered edge, ending in flat base; the whole enriched with iridescent celadon glaze and retaining archeological patination ... Learn More

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HAN EARTHENWARE GREEN GLAZED CUP

of oval deep dish form, rising to rolled rim and conforming shaped and molded semi-circular ears, tapering gently to flat bottom; the whole retaining traces of archeological patination   Han... Learn More

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HAN EARTHENWARE PAINTED DING

of deep dish ovoid form fitted with flaring pierced rectangular molded handles, surmounted by gently domed conforming cover with central raised ring, rising to extended flat band; the whole raised... Learn More

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HAN EARTHENWARE PAINTED DING

of deep dish ovoid form fitted with flaring pierced rectangular molded handles, surmounted by gently domed conforming cover, rising to extended flat band; the whole raised on anthropomorphic shaped tripod... Learn More

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HAN EARTHENWARE PAINTED HU

of bulbous ovoid form rising to narrow neck and flaring flat rim, raised on tapering flared hollow foot; the whole retaining traces of yellow and red scrolling foliate and geometric... Learn More

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HAN EARTHENWARE PAINTED ZUN

 of fully realized sculpted and molded stylized sitting bird form, it’s wings gently sculpted in relief, the chest with rectangular flaring ridge, rising to tapering neck with flaring studded rim... Learn More

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HAN GLAZED CELEDON EARTHENWARE HU

of ovoid bulbous form with concentric relief bands at the center and shoulders, fitted with relief molded and shaped dragon head drop ring handles, tapering at the neck and flaring... Learn More

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HAN STYLE CELADON EARTHENWARE URN

of bulbous ovoid form with concentric rings in relief, the shoulders fitted with low relief anthropomorphic mask loose ring handles, rising to tapering neck and flaring architectonic rim, tapering to... Learn More

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HONGSHAN NEOLITHIC STYLE JADEITE RITUAL CARVINGS

of fully realized sculpted and molded pierced forms, depicted standing, crouching or sitting in various combinations of interlocking mythical figures and animals   After the Neolithic models (4700 - 2900... Learn More

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IBERIAN STONE MORTAR

of square section massive roughly hewn deep form rising to flat edge; now raised on square-section plinth 16th – 17th century Overall dimensions: 33” wide x 34” deep x 26”... Learn More

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IN THE MANNER OF PERCIVAL LAFER OAK AND NAUGAHYDE SLING SETTEE, LOUNGE CHAIR AND OTTOMAN

the settee and chair with rectangular section legs with gently rounded arms, domed screw plugs and fitted with tufted beige upholstery on sling construction; the ottoman of similar construction and... Learn More

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INGRID OF SWEDEN RED ALUMINUM, CANVAS, ROPE AND BEECHWOOD LAMP

Monsterskyddad model, 1970 - Sweden Ingrid of Sweden fabric label sewn into seem of shade Overall dimensions: 19 1/2" d x 19 1/2" w x 30" h    Download Tearsheet Learn More

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ISLAMIC BRASS AND COPPER CANDLESTICK

the vasiform cylindrical turned stem, surmounted by circular section gadrooned nozzle with central duel band, resting on cushion moulded square section base; the whole raised on slipper feet and displaying... Learn More

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ITALIA MARBLE MORTAR

of deep dish ovoid form with three concentric corbels and spout at the flat rim, tapering to flat bottom   19th Century Overall dimensions: 10” dia. X 5” h  ... Learn More

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ITALIAN 1970’s IRON AND TRAVERTINE BRUTALIST CENTER TABLE

the rectangular unfilled travertine top with straight edge, over geometric  pierced conforming apron, raised on contiguous circular section tripod legs with circular pierced knees, end g in cone shaped travertine... Learn More

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ITALIAN 1970’s PINE TABLE

in the manner of Mario Ceroli, the rectangular plank top with straight edge, over “Z” shaped planked concentric paneled base Overall dimensions: 33” deep x 70 1/2” wide x 31”... Learn More

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ITALIAN BAROQUE WALNUT CENTER TABLE

the rectangular top over straight apron incorporating two paneled drawers, on compound turned vasiform legs, joined by “H” stretcher with turned finials, the whole raised on blocks ending in bun... Learn More

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ITALIAN BAROQUE EBONIZED AND PARCEL GILT MIRROR

later rectangular plate inset within compound molded frame of alternating ripple carved moldings      17th Century     Overall dimensions:  26 3/4” wide x 29” high      Download... Learn More

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ITALIAN BAROQUE EGLOMISE PANEL WITHIN GILTWOOD FRAME

the massive handblown plate with magnified depth in tortoise shell coloring, depicting two animated horse heads, one left facing the other rearing back, with open mouths, intense stares, flexed muscles... Learn More

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ITALIAN BAROQUE GILTWOOD CONSOLE

the later rectangular rojo corolito marble top, over Roman ogee and foliate carved top suspending sculpted pierced scrolling foliate apron with draped pelmets and centering amorini with floral crown, raised... Learn More

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ITALIAN BAROQUE GILTWOOD MIRROR

the rectangular plate within cartouche shaped frame with mirrored reserves composed of carved and moulded “S” and “C” scrolls and rocaille enrichments 18th century Overall dimensions: 24” wide x 46ó”... Learn More

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ITALIAN BAROQUE PIETRA DURA PANEL

depicting a floral arrangement of tulips, narcissus and various other flowers in the Dutch manner, issuing from a blue and white vase resting near a cluster of peaches; the whole... Learn More

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ITALIAN BAROQUE SCAGLIOLA PANEL ON PARCEL-GILT BAROQUE BASE

the rectangular multi-toned panel depicting an architectural garden pavilion with centered vaulted portico giving onto a cypress lined allée, flanked by logia and enclosed staircases, framed by figured marble patterned... Learn More

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