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JAPANESE BROWN LACQUER AND INLAID NACREOUS LOW TABLE

the rectangular slightly inset top with notched corners, over cloud bracket front and rear apron flanked by foliate cartouche side aprons, raised on slender cabriole legs with central ridge ending in half... Learn More
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JAPANESE IMARI PORCELAIN AND GILT BRONZE BOWL

of deep dish ovoid form with gentle flare  and hollow foot, the interior depicting blue, red and gold chrysanthemum motif central medallion on white ground with foliate and floral sprays... Learn More
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JAPANESE IRON, LACQUER AND NACREOUS INLAID ABUMI

  of traditional hato mune or dove’s breast form, slightly curved forward, rising to rectangular pierced buckle; the whole enriched with nacreous flek inlay, with work red lacquer interior   ... Learn More
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JAPANESE MID-CENTURY EARTHENWARE GLAZED URN

of unusually massive form, the low bulbous ovoid body, sharply tapering to raised flat rim and sharply tapering to flat foot; the whole retaining original off white degraded glaze finish... Learn More

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JAPANESE RED LACQUERED AND PARCEL GILT COFFRE

The rectangular top enclosing hollow conforming case with rice paper interior and black lacquered fitted tray; the whole enriched with silver and gold gilt opposing Tokugawa mon(three leaf mallow/Mitsuba aoi),... Learn More

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JAPANESE ZELKOVA WOOD TRAY

of massive rectangular shallow dish, carved and molded rockery form, with chip carved interior and underside    Meiji - 1868-1912 Possibly for use in a courtly tea ceremony Overall Dimensions:... Learn More

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JOHN FLAXMANPLASTER INTAGLIOS

56 various oval, rectangular, and square forms, each with classical figure or scene; now mounted in Chinese Chippendale style giltwood frame John Flaxman ( 6 July 1755 - 7 December... Learn More

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KAARE KLINT ATTRIBUTED “NØRREVOLD” MAHOGANY AND NIGER LEATHER ARMCHAIR

model no. 5999, for Rud Rasmussen,  designed in 1939 and the largest chair in the series of “Red Chairs” that Kaare Klint designed between 1920-1930 - brass nailhead trim CA... Learn More

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KAARE KLINT ‘RED’ ARMCHAIR - MAHOGANY, NIGER LEATHER

designed in 1930, executed in 1935 by Rud.  Rasmussen A/S, Denmark manufacturer’s paper label and architect’s monogrammed paper labelunder seat frame: RUD. RASMUSSENS SNEDKERIER 45 KØRREBROGADE 158_ _(?) Overall dimensions:... Learn More

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KARL JOHAN ADLER ROOT AND EBONIZED TRIPOD TABLE

the square section veneered top raised on vasiform turned stem, fitted with downward scrolling  tripod legs ending in slipper feet        18th - 19th century    Overall Dimensions:... Learn More

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KOREAN CREAM GLAZED MOON JAR

of massive ovoid bulbous form tapering to narrow neck and flaring rim, raised on similar narrow base with flaring foot; retaining wax stamp at shoulders with Korean symbolism   Early... Learn More

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KRISTIAN SOLMAR VEDEL CHESTNUT AND LEATHER ARMCHAIR

for  MODUS - Denmark CA1960 - very fine condition Overall dimensions: 25” deep x 28” wide x 30” high  Kristian Solmar Vedel (1923-2003) Greatly influenced by Kaare Klint, the father... Learn More

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LINE VAUTRIN STYLE MIRROR

  of flat circular form composed of gold painted lead and inlayed with green glass in a starburst pattern with a central circular mirror    After Line Vautrin’s ‘ Soleil... Learn More

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LOBI HARDWOOD STOOL

of massive anthropomorphic fully realized form in the shape of a turtle with a concave moulded and shaped back  First half 20th Century - Probably Burkina Faso  Overall dimensions: 10... Learn More

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LOMBARDIAN BAROQUE WALNUT AND EBONIZED COMMODE

the rectangular moulded top with canted sides, over one shallow long moulded edge drawer and three deep drawers, the canted sides with applied "S" scroll pierced strap work; the whole... Learn More

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LOMBARDIAN WALNUT BURL AND PART EBONIZED COMMODE

the rectangular top with moulded edge over three long burlwood drawers, framed with compound ripple mouldings, flanked by engaged tapering barley twist columns and compound ripple mouldings, raised on bracket... Learn More

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LOUIS PHILLIPE MAHOGANY CENTER TABLE

the circular gray and white marble top with moulded edge over straight conforming apron raised on hexagonal baluster support; the whole on tripartite relief carved volute scrolling plinth ending in... Learn More

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LOUIS XV BLACK LACQUER AND GILT BRONZE TRAY ON GILTWOOD PLOYANT STAND

 the rectangular tray with shaped and molded gilt bronze frame with rounded corners, the tray depicting polychrome flowers, butterflys and birds on rockery ground within rope boarder on black background;... Learn More

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Louis XV Cherry Wood Table with Chinese Export Black Lacquer Inset Tray

the rectangular top with gently rounded corners inset serpentine shaped tray depicting painted floral and foliate rockery landscape with various exotic birds within in compound moulded frame, over straight apron,... Learn More

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LOUIS XV GILT BRONZE AND ROCK CRYSTAL CHANDELIER

the compound shaped and molded central spire issuing “s” and “c” scrolling cage supporting eight downward scrolling candle arms, rising to foliate bobeche and cylindrical nozzles, surmounted by upward scrolling... Learn More

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LOUIS XV HAMMERED BRASS AND HARDWOOD LECTURN

the rectangular shaped and molded arched form, joined to canted shelf contiguous with shaped and molded  serpentine apron, raised on hairy lion paw feet with back brace; the whole highly... Learn More

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LOUIS XVI CHERRYWOOD AND PARCEL GILT ARMOIRE

the flat and moulded cornice over carved and moulded case, incorporating  pair hinged paneled doors, surmounted by scrolling carved frieze, flanked by engaged Corinthian columns, and paneled sides; the whole... Learn More

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LOUIS XVI GILTWOOD MIRROR

the original rectangular mercury plate within carved and molded beaded border and foliate leaf carved frame CA 1790 Overall dimensions: 36” x 48”   Download tearsheet Learn More

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LOUIS XVI STYLE BRASS BED

the rectangular head board with fluted square section splats centering oval hung with neoclassic floral and foliate swags with ribbon suspending floral basket, the crest with similar ribbon and foliate... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI 1977

steel wire, eye hooks on maple pine frame - overall dimensions: 19 1/2” wide x 19 1/2” high signed in graphite: Lucifero Sgarbati 77 Domenico Gentili (1933- ) Bologna, Italy... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI “La Libertá” 1977

steel wire, eye hooks on maple pine frame - 28 1/2” wide x 20 1/2” high signed in graphite: Lucifero Sgarbati 77    Download Tearsheet Learn More

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MACASSAR EBONY AND CHROMED METAL GUERIDON

the circular top with conforming flat edge incorporating four adjustable chromium slides over four rectangular section legs, joined by flat rectangular chromium crossed stretcher and ending in conforming chrome sabots... Learn More

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MAHOGANY AND MARBLE CREDENZA

the rectangular top with bowed front and knife edge with conforming inset “Yellow Lamertine” marble reserve, “floating”: over conforming pierced straight apron, incorporating two short felt lined flush drawers centering... Learn More

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MAHOGANY AND PART EBONZED TABORET

in the manner of Jules Leleu, the shaped edgebanded saddle seat of classic form on four octagonal supports with alternating chevron veneers, raised on circular platform Circa 1930 – France... Learn More

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MASTERWORK ARMADIO

the crested parapet flanked by finials, over Romanesque square arched portal on ribbed columnar supports flanking two conforming arched doors over base section with two long drawers centered by scrolling... Learn More

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MAX INGRAND ATTRIBUTED GLASS AND CHROME PENDANT LIGHT

of tryptic form with two progressively larger pierced oval clear crystal discs with beveled edges, the outer disc of tobacco color, centering socket, suspended from circular section structure and rod,... Learn More

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MAX INGRAND CHROME AND GLASS MIRROR

the slightly concave beveled circular pale red frame, fitted in the center with a chrome lined beveled mirror   CA 1950 - Italy for Fontana Arte   Max Ingrand ( French,... Learn More
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MENELAW SETE “FESTA DE BACO”

Acrylic on canvas, signed 2012 Overall dimensions: 39” x 58” high Menelaw Sete, Brazilian (1964 -  ) Menelaw Sete is internationally known as "The Picasso of Brazil".  Born in 1964... Learn More

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MEXICAN EARTHENWARE “BLOW FISH” VASE

of massive ovoid form with high relief concentric spines, rising to narrow neck and flaring to circular rolled rim, ending in flat bottom; the whole enriched with mottled red, black... Learn More
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MIKE FAIR

of rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography... Learn More

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MIKE FAIR

of rectangular form of Baltic birch plywood with the surface subtly sculpted to reveal the glue lines creating shifting ethereal patterns Signed: Mike Fair 2023 Overall dimensions: 13 1/2” wide... Learn More

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MING BLUE AND WHITE PAINTED AND GLAZED JAR

of high shouldered deep ovoid form, tapering to narrow flat rim, tapering gently to flat foot; the whole enriched with blue painted decoration depicting garden pavilion in floral and foliate... Learn More

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MING PAINTED AND GLAZED URN

of high shouldered deep ovoid form, tapering to flat rim, surmounted by gently domed shaped and moulded conforming lid, tapering to flat foot; the whole enriched with pale gray glaze... Learn More

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N. ITALIAN WALNUT AND PINE SCABELLO

the pierced back with stylized foliate shaped and moulded tapering rectangular form, joined to rectangular seat with compound moulded edges, the rear with scroll carving, the front corners canted; the... Learn More

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NAGALAND JACKWOOD TABLE/BED

of massive singular hand carved shaped and molded slightly irregular rectangular form, the larger end with Great Hornbill style beaks across the length, carved in high relief; the whole contiguous... Learn More

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NAPOLEON LE GRAND ROSEWOOD TABLE in the CHINESE MANNER

the rectangular top with inset panel over concave shaped apron raised on straight legs ending in outward turned foot   Circa 1950 – Amsterdam, Netherlands Overall dimensions: 24¼” wide x... Learn More

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NEAPOLITAN ROCOCO SILVER GILT CENTER TABLE

the serpentine shaped rose marble top with moulded edge over carved acron with scrolling volutes, floral sprays, foliate and rocaille enrichments with diapered reserves, flanked by concave knees with reeded... Learn More

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NERONE CECCARELLI & GIANCARLO PATUZZI ATTRIBUTED MOSAIC OF WALNUT PEDESTAL

of circular section compound bulbous form, with flat center band, tapering to stylized dentil moulded narrow collar, flaring to compound moulded inset top, the scalloped waist flaring to compound moulded... Learn More

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NORMAN BEL GEDDES ALUMINUM AND WOOD STOOL

in the “Industrial Style” with oval later upholstered seat over conforming wood apron, flanked by concave straight legs CA 1930 - USA Overall dimensions 15” deep x 22” wide x... Learn More
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NORTH GERMAN MAHOGANY AND PART EBONIZED AND GILT, BRASS MOUNTED ATHENIENNE

the shaft in the form of a Roman Doric column supporting later circular platform and Tazza; ona triangular tripod stand with square section saber legs; the apron with inset repoussé... Learn More

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NORTH GERMAN ROCOCO WALNUT AND PARCEL GILT CUPBOARD

the compound moulded swan's neck broken cornice centering central platform over two conforming hinged fielded panel doors with carved flowers and foliage and centering pilaster astrigal headed by shell and... Learn More

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NORTH ITALIAN ROCOCO FAUX BOIS COMMODE

the serpentine shaped hinged top with molded edge over Galbe shaped case with two long drawers raised on shaped cabriole legs with shell carved knees, contiguous with shaped apron; the... Learn More

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NORTH ITALIAN ROCOCO SILVER GILT MIRROR

the rectangular two section mercury plate within mirrored surround with moulded frame secured by floral enrichments surmounted by pierced cresting of interlocking foliate strapwork centering classic urn and suspending bead... Learn More

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