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LOUIS XV GILT BRONZE AND ROCK CRYSTAL CHANDELIER

the compound shaped and molded central spire issuing “s” and “c” scrolling cage supporting eight downward scrolling candle arms, rising to foliate bobeche and cylindrical nozzles, surmounted by upward scrolling... Learn More

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LOUIS XV HAMMERED BRASS AND HARDWOOD LECTURN

the rectangular shaped and molded arched form, joined to canted shelf contiguous with shaped and molded  serpentine apron, raised on hairy lion paw feet with back brace; the whole highly... Learn More

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LOUIS XVI CHERRYWOOD AND PARCEL GILT ARMOIRE

the flat and moulded cornice over carved and moulded case, incorporating  pair hinged paneled doors, surmounted by scrolling carved frieze, flanked by engaged Corinthian columns, and paneled sides; the whole... Learn More

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LOUIS XVI GILTWOOD MIRROR

the original rectangular mercury plate within carved and molded beaded border and foliate leaf carved frame CA 1790 Overall dimensions: 36” x 48”   Download tearsheet Learn More

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LOUIS XVI STYLE BRASS BED

the rectangular head board with fluted square section splats centering oval hung with neoclassic floral and foliate swags with ribbon suspending floral basket, the crest with similar ribbon and foliate... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI 1977

steel wire, eye hooks on maple pine frame - overall dimensions: 19 1/2” wide x 19 1/2” high signed in graphite: Lucifero Sgarbati 77 Domenico Gentili (1933- ) Bologna, Italy... Learn More

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LUCIFERO SGARBATI Presents DOMENICO GENTILI “La Libertá” 1977

steel wire, eye hooks on maple pine frame - 28 1/2” wide x 20 1/2” high signed in graphite: Lucifero Sgarbati 77    Download Tearsheet Learn More

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MACASSAR EBONY AND CHROMED METAL GUERIDON

the circular top with conforming flat edge incorporating four adjustable chromium slides over four rectangular section legs, joined by flat rectangular chromium crossed stretcher and ending in conforming chrome sabots... Learn More

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MAHOGANY AND MARBLE CREDENZA

the rectangular top with bowed front and knife edge with conforming inset “Yellow Lamertine” marble reserve, “floating”: over conforming pierced straight apron, incorporating two short felt lined flush drawers centering... Learn More

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MAHOGANY AND PART EBONZED TABORET

in the manner of Jules Leleu, the shaped edgebanded saddle seat of classic form on four octagonal supports with alternating chevron veneers, raised on circular platform Circa 1930 – France... Learn More

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MASTERWORK ARMADIO

the crested parapet flanked by finials, over Romanesque square arched portal on ribbed columnar supports flanking two conforming arched doors over base section with two long drawers centered by scrolling... Learn More

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MAX INGRAND ATTRIBUTED GLASS AND CHROME PENDANT LIGHT

of tryptic form with two progressively larger pierced oval clear crystal discs with beveled edges, the outer disc of tobacco color, centering socket, suspended from circular section structure and rod,... Learn More

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MENELAW SETE “FESTA DE BACO”

Acrylic on canvas, signed 2012 Overall dimensions: 39” x 58” high Menelaw Sete, Brazilian (1964 -  ) Menelaw Sete is internationally known as "The Picasso of Brazil".  Born in 1964... Learn More

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MEXICAN EARTHENWARE “BLOW FISH” VASE

of massive ovoid form with high relief concentric spines, rising to narrow neck and flaring to circular rolled rim, ending in flat bottom; the whole enriched with mottled red, black... Learn More

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MIKE FAIR

of rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography... Learn More

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MIKE FAIR

of rectangular form of Baltic birch plywood with the surface subtly sculpted to reveal the glue lines creating shifting ethereal patterns Signed: Mike Fair 2023 Overall dimensions: 13 1/2” wide... Learn More

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MIKE FAIR

of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;... Learn More

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MIKE FAIR

of reversible rectangular form assembled from remnants of Baltic birch plywood, sculpted to reveal red glue strata in two dimensions, then with further hand sculpting to create a three dimensional topography;... Learn More

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MING PAINTED AND GLAZED URN

of high shouldered deep ovoid form, tapering to flat rim, surmounted by gently domed shaped and moulded conforming lid, tapering to flat foot; the whole enriched with pale gray glaze... Learn More

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N. ITALIAN WALNUT AND PINE SCABELLO

the pierced back with stylized foliate shaped and moulded tapering rectangular form, joined to rectangular seat with compound moulded edges, the rear with scroll carving, the front corners canted; the... Learn More

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NAGALAND JACKWOOD TABLE/BED

of massive singular hand carved shaped and molded slightly irregular rectangular form, the larger end with Great Hornbill style beaks across the length, carved in high relief; the whole contiguous... Learn More

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NAPOLEON LE GRAND ROSEWOOD TABLE in the CHINESE MANNER

the rectangular top with inset panel over concave shaped apron raised on straight legs ending in outward turned foot   Circa 1950 – Amsterdam, Netherlands Overall dimensions: 24¼” wide x... Learn More

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NEAPOLITAN ROCOCO SILVER GILT CENTER TABLE

the serpentine shaped rose marble top with moulded edge over carved acron with scrolling volutes, floral sprays, foliate and rocaille enrichments with diapered reserves, flanked by concave knees with reeded... Learn More

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NERONE CECCARELLI & GIANCARLO PATUZZI ATTRIBUTED MOSAIC OF WALNUT PEDESTAL

of circular section compound bulbous form, with flat center band, tapering to stylized dentil moulded narrow collar, flaring to compound moulded inset top, the scalloped waist flaring to compound moulded... Learn More

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NORMAN BEL GEDDES ALUMINUM AND WOOD STOOL

in the “Industrial Style” with oval later upholstered seat over conforming wood apron, flanked by concave straight legs CA 1930 - USA Overall dimensions 15” deep x 22” wide x... Learn More

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NORTH GERMAN MAHOGANY AND PART EBONIZED AND GILT, BRASS MOUNTED ATHENIENNE

the shaft in the form of a Roman Doric column supporting later circular platform and Tazza; ona triangular tripod stand with square section saber legs; the apron with inset repoussé... Learn More

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NORTH GERMAN ROCOCO WALNUT AND PARCEL GILT CUPBOARD

the compound moulded swan's neck broken cornice centering central platform over two conforming hinged fielded panel doors with carved flowers and foliage and centering pilaster astrigal headed by shell and... Learn More

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NORTH ITALIAN ROCOCO FAUX BOIS COMMODE

the serpentine shaped hinged top with molded edge over Galbe shaped case with two long drawers raised on shaped cabriole legs with shell carved knees, contiguous with shaped apron; the... Learn More

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NORTH ITALIAN ROCOCO SILVER GILT MIRROR

the rectangular two section mercury plate within mirrored surround with moulded frame secured by floral enrichments surmounted by pierced cresting of interlocking foliate strapwork centering classic urn and suspending bead... Learn More

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NORWEGIAN ROCOCO WALNUT AND PARCEL GILT COMMODE

the rectangular grey marble top with serpentine shaped and molded edge over conforming relief carved foliate apron and three long edge banded bombè drawers, raised on downward scrolling feet with... Learn More

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OAK DINING TABLE

the circular top incorporating two leaves over straight apron on tapering round section columnar support with circular socle with attached brackets, raised on four downswept sled feet Circa 1940 -... Learn More

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OKINAWA BLACK LACQUER AND NACREOUS INLAYED LOW TABLE

the rectangular top with rounded corners and flat edge over conforming foliate pierced and scalloped apron, raised on bulbous cabriole feet; the whole highly enriched with nacreous inlay, the top... Learn More

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OLD SHEFFIELD PLATE CANDLESTICK

in the Adams style, with the articulated tapering circular section fluted stem with moulded and shaped ram’s heads at the shoulders, supporting stop-fluted urn with Greek key trim and later... Learn More

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OSVALDO BORSANI ROSEWOOD AND SATINWOOD CABINET

the racetrack oval top conforming case incorporating two hinged doors enclosing six short drawers raised on bracket feet; the whole enriched with inlayed bakelite stringing raised on block feet  ... Learn More

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OTTO WRETLING ‘IDEALBORDET’ PART EBONIZED BIRCH AND SATINWOOD ADJUSTABLE TABLE

the rectangular nickel plated hinged top with straight edge and conforming apron, opening to satinwood interior with  ebonized geometric inlay, raised on rectangular section adjustable(7 step) steel pedestal; the whole... Learn More

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PAIR ARCHITECTURAL PLINTHS

of rectangular section form, three sides with inset compound moulded frames and roughly hewn centers; the fourth side flat 16th, 17th Century Overall dimensions: 19 ó” wide x 21 ó”... Learn More

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PAIR AUGUST VOGEL BRONZE BRAZIERS

each oval molded basin shaped “en gondole” enriched with anthemion and acanthus decoration, surmounted by allegories of Flora and Bacchus with attached strap handles respectively; the figure of Flora holding... Learn More

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PAIR BENTWOOD CERUSED OAK ARMCHAIRS

the rectangular gently curved hinged back with tight upholstered panel, joined to similar upholstered seat by scrolling shaped rectangular section arms, raised on similarly shaped leg base, joined by paired... Learn More

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PAIR CHESTNUT RUSTIC SIDE CHAIRS

the circular section tapering spindle back with moulded rectangular section rail, joined to massive plank seat with rounded back; the whole raised on flaring circular section legs 19th Century - Belgium Overall... Learn More

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PAIR CHINESE HARDSTONE FIGURES

each fully realized shaped and moulded figure in the form of reclining ram,  head proudly raised; the whole raised on rectangular section plinth and exhibiting “ancient” patina, one with traces... Learn More

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PAIR CHINESE BLUE AND WHITE PORCELAIN GINGER JARS

each of slightly tapered high shouldered ovoid form rising to narrow neck with straight rim, fitted with conforming gently domed lid, ending in flat base; the whole depicting various exotic... Learn More

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PAIR CHINESE EXPORT MIRROR PAINTINGS

each reverse glass painted mirror depicting various birds amongst flowering and fruiting branches inset into gilt decorated frames    19th century Overall Dimensions: (each) 19” wide x 25” high  ... Learn More

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PAIR CONTINENTAL EMPIRE GILTWOOD APPLIQUES

the rectangular moulded back plate supporting volute scroll issuing acanthus leaf arm ending in circular bobeche with carved detail; the whole retaining original gilt with white gold accents Circa 1820... Learn More

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PAIR EARLY ITALIAN MARBLE URNS

each of Carrera ovoid deep dish form with high relief carved lioness mask handles, the furrowed brow over stylized wiskers and open mouth, hair flowing over the ears, the bowl... Learn More

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PAIR FRANK LLOYD WRIGHT OAK SLANT-BACK SIDE CHAIRS

each with planar construction and strict geometric elements adhering to the principals of his Prairie School style architecture with diagonal rectangular section back panels, flanked by square section legs, surmounted... Learn More

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PAIR FRENCH CLUB CHAIRS

each scalloped crest rail contiguous with back, enclosing “U” shaped tight upholstered seat and inside back with downward sloping arms over conforming apron; the whole raised on bracket feet and... Learn More

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PAIR FRENCH LATE EMPIRE FRUITWOOD AND PARCEL GILT GUERIDONS

 the circular top with molded gallery edge, on fully sculpted swan tripod support, joined by triangular concave sided platform, raised on monopodia 19th century - Gianni Versace Collection Overall dimensions:... Learn More

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PAIR FRENCH LOUIS XVI TERRA COTTA URNS

each with tapering fluted sides with foliate collar rising to carved and molded flaring rim, raised on square plinth with molded socle   Fourth quarter 18th century Overall dimensions: 16”... Learn More

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