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PAIR FRENCH WOOD MUSHROOMS

of massive realistically carved and molded form, one displaying three stalks, the second two stalks, each with “leathery” patina, raised on molded and shaped conforming plinths Overall dimensions: A: 23”... Learn More

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PAIR GALICIAN GRANITE COLUMNS

Each with cylindrical shaft surmounted by Ionic carved capital, raised on square plinth with circular socle Overall dimensions each: 10 1⁄2” x 10 1⁄2” deep x 37” high   download... Learn More

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PAIR GUSTAVIANSK GILTWOOD ARMCHAIRS

the horse-shoe shaped tightly upholstered back within shaped and molded garrya husk carved frame contiguous with downward sloping similar supports, joined to box seat, flanked by rosettes, over similarly carved garrya... Learn More

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PAIR HAN EARTHENWARE TEMPLE COLUMNS

each of rectangular section form with various encised geometric and foliate paterns, the top left center of each with duel rectangular reliefs depicting standing scholar facing left; the whole retaining... Learn More

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PAIR ITALIAN ART DECO PAINTED PANELS

each rectangular panel depicting “Isadora Duncan” inspired dancers with costume “a la Grec” on buff painted ground; now fitted with giltwood frames   Signed: G. Minonzio Dated: 1931 Overall dimensions:... Learn More

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PAIR ITALIAN ART DECO SPHINX

the fully sculpted recumbent lion with Pharonic mask and headdress with “Ureaus” cobra suspending stylized cartouche; the body with stylized hieroglyphic reserve and retaining traces of original polychrome painted decoration... Learn More

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PAIR ITALIAN BAROQUE GILT APPLIQUES

each of compound ‘C’ scroll form with foliate carving, with attached acanthus oval back plate, surmounted by foliate carved bobeche and fluted cylindrical nozzle   18th century Overall dimensions: 12”... Learn More

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PAIR ITALIAN BAROQUE PAINTED AND PARCEL GILT APPLIQUES

each of rectangular cartouche shape, enriched with carved foliate scrolling volutes centering oval reserves issuing a fully realized sleeved and cuffed arm, extending to a hand grasping a cylindrical tole... Learn More

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PAIR ITALIAN BAROQUE PAINTED AND PARCEL GILT TORCHERES

each in the form of fully carved and sculpted eagle, wings spread, one claw grasping rockery base, fitted with iron candelabra issuing six upward scrolling arms and circular carved wood... Learn More

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PAIR ITALIAN BAROQUE WALNUT CASAPANCA

each with rectangular back contiguous with rectangular section back legs, inset with “x” shaped fielded panels and surmounted by compound molded crest rail, joined to boxed rectangular seat with compound... Learn More

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PAIR ITALIAN EMPIRE WALNUT AND FRUITWOOD PARCEL GILT GUERIDONS

the circular grey marble inset top over applied Greek key fret apron, raised on female term supports with crossed bracing, on concave sided triangular plinths raised on webbed feet  ... Learn More

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PAIR ITALIAN LOUIS XVI PAINT AND PARCEL GILT FAUTEUILS

the oval caned back within molded frame contiguous with down- swept arms on curved supports joining bowed front upholstered seat within similar frame, raised on round section tapering stop fluted... Learn More

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PAIR ITALIAN MARBLE URNS

each deep green, black and cream marble classical urn shaped form, elongated ovoid body with high relief bands and fitted with shaped and molded scrolling strap handles to incurved neck,... Learn More

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PAIR ITALIAN NEOCLASSIC GILTWOOD TABORETS

the rectangular upholstered box seat over molded apron with relief carved foliate reserve, on tapering round section partially fluted legs with foliate carved collars, raised on ball feet   Late... Learn More

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PAIR ITALIAN NEOCLASSIC PAINTED AND LACCA POVERA SCREENS

each rectangular hinged panel with shaped top, raised on foliate painted shaped and moulded tapering feet; the whole enriched with rectangular reserves depicting noblemen and domestics in various pursuits alternating... Learn More

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PAIR ITALIAN NEOCLASSIC BRECCIA URNS

of classic campana form with flaring rolled edge and ribbed body, raised on conforming sockle and square section plinth   Circa 1800 - Siena Overall Dimensions:  15” diameter x 21”... Learn More

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PAIR ITALIAN RENAISSANCE MARBLE COLUMNS

the circular section Occhio di Pavone Rosso column with gently swelling entasis, rising to moulded astragal and ending in flaring base, the whole raised on circular compound moulded socle  ... Learn More

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PAIR ITALIAN ROCOCO GILTWOOD FAUTEUILS “EN CHASIS”

each cartouche shaped upholstered back with shell carved and moulded frame centering scallop shell cresting, joined to downward scrolling shaped upholstered arms ending in scrolling volute, raised on curved supports... Learn More

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PAIR JAPANESE IRON, LACQUER AND SILVER INLAID ABUMI

each of traditional hato mune (dove’s breast) form with rectangular pierced buckle; the whole enriched with Kaga Zogan style floral and foliate silver inlay, with red lacquer interior    Early... Learn More

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PAIR LOUIS XVI GILTWOOD FAUTEUILS

the cartouche shaped tight upholstered back within carved and moulded guilloche frame, contiguous with downward scrolling flared upholstered arms on shaped foliate and gadrooned carved supports, joined to tight upholstered... Learn More

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PAIR MATCHED DANISH ROCOCO BEECHWOOD AND PARCEL-GILT ARMCHAIRS

each moulded back with pierced urn shaped splat secured by floral and shell carved crest rail, joined by outward flaring moulded arms to upholstered seat framed by shaped and carved... Learn More

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PAIR NEO-EGYPTIAN BRONZE GUERIDONS

the circular green granite top over conforming apron with reeded edge on tripod support with Egyptian sphinx terms enriched with hieroglyphic text, on tapering fluted round section legs, joined by... Learn More

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PAIR NORTH EUROPEAN EMPIRE PARCEL GILT ATHÉNIENNES

each with tripod scrolling support centering classic urn with suspended bead festoon, secured by triangular concave sided platform with attached urn finial, raised on carved pied de biche feet; the... Learn More

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PAIR OF F. CHIURAZZI BRONZE GUERIDONS

each rectangular Breccia di Aleppo marble top with cove edge, over rectangular section bearded and anatomically correct male term support, surmounted by classical urn; the whole raised on rectangular plinth... Learn More

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PAIR OF FRENCH EMPIRE STYLE GILDED BRONZE APPLIQUES

in the form of winged female terms with outstretched arms supporting semicircular band fitted with three swan shaped figures carrying gadrooned circular bobeches and foliate urn shaped nozzles 19th Century... Learn More

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PAIR OF ITALIAN ROCOCO LIMESTONE SPHINX

the fully sculpted facing recumbent figures with braided cascading headdress in the Egyptian taste and relief carved caparison, contiguous with rectangular plinth 18th Century Overall dimensions: 40" wide x 15"... Learn More

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PAIR OLOF HULT “SNÄCKURNAN” CAST IRON URNS

each deep dish oval form with irregular shell - like ribbing, fitted at the shoulders with naturalistic loop handles, rising to flaring rim, tapering intensely to circular flaring flat foot;... Learn More

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PAIR PORTUGUESE BAROQUE CANDLESTICKS

ball feet and retaining original painted finish   18th century Overall dimensions: 14” d x 16” wide x 39” high   Download tearsheet Learn More

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PAIR PORTUGUESE BAROQUE GRANITE FIGURES

each massive ully realized carved and molded figure depicting seated hippopotamuses, their heads pushed forward roaring, deep folded skin on the back and legs; the whole raised on rectangular low... Learn More

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PAIR PORTUGUESE BAROQUE PAINTED BRACKETS

the rectangular ogee compound moulded cornice over projecting scrolling bracket, enriched with various foliate volute scrolls centering foliate crest; the whole retaining original blue-green and yellow polychrome painted decoration  ... Learn More

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PAIR PORTUGUESE BAROQUE SILVER GILT CANDLESTICKS

the compound turned stem flanked by foliate ‘C’ scroll shaped arms ending in circular bobeches, raised on triangular scrolling base; the whole displaying original silver gilt finish      18th century... Learn More

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PAIR PORTUGUESE NEOCLASSIC GILTWOOD CANDLESTICKS

  each with compound acanthus carved and fluted stem with laurel carved pendant bobeches and gadrooned urn shaped nozzles, raised on conforming faux bois painted plinth, now electrified and fitted... Learn More

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PAIR RATTAN ARMCHAIRS

attributed to Franco Albini, the flaring concave back with contiguous finials on conforming bucket seat, joined by duel outward flaring arms contiguous with front and back legs, joined by perimeter... Learn More

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PAIR ROMAN NEOCLASSIC MARBLE OBELISKS

of "Bruno-Rossiccio," in classic tapering square-section form with slight entasis rising to pyramid top, seated on articulated moulded base, the whole raised on conforming carerra marble stepped plinth and retaining... Learn More

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PAIR ROMAN LOUIS XIV SILVER GILT AND MICA CONSOLES

each with later inset rectangular Breciia Du Bonneau tops, within shaped and molded bulb nose edge, over pierced diapered “c” and “s” scrolling foliate pelmet apron, raised on articulated foliate... Learn More

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PAIR RUSSIAN LOUIS XVI STYLE BRONZE DORE APPLIQUÉS

in the form of naturalistically sculpted Nymph and Satyr torsos, each with arms grasping two pairs of ram's horn scrolling candle arms ending in foliate bobeche and supporting fluted cylindrical... Learn More

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PAIR SPANISH BAROQUE GRANITE FINIALS

each with circular section deeply carved foliate sheathed collar issuing tapering cup, raised on moulded sockle and square plinth 17th - 18th Century - Catalonian Overall dimensions: 12” square x... Learn More

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PAIR SPANISH BAROQUE CHESTNUT CANDLESTICKS

each with fluted composite acanthus carved tripartite form, comprising vasiform scrolling foliate decorated stem with relief carved ribbons, rising to flaring shaped and moulded gadrooned nozzles and raised on scrolling... Learn More

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PAIR SPANISH BRONZE CANDLESTICKS

  Each with compound vasiform stem rising to circular nozzle and flaring bobeche, raised on foliate collar and bell form base contiguous  with square molded plinth and circular section feet... Learn More

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PAIR SPANISH NEOCLASSIC GILTWOOD MIRRORS

the oval mercury plate within leaf tip, garrya husk and carved frame with sunflower rosettes,  surmounted by ribbon cresting   Late 18th century Overall dimensions: 32” wide x 42 ½”... Learn More

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PAIR SPANISH STONE BUSTS

the frontally fully sculpted male and female figures with classically draped cloak, raised on concave rectangular sockle; now mounted on absolute black granite rectangular tapering plinths 18th Century Overall dimensions:... Learn More

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PAIR SWEDISH EMPIRE FAUX BOIS AND PARCEL GILT BANQUETTES

each with rectangular boxed cushion seat flanked by scrolling tightly upholstered frame; the upholstered deck, inset into conforming carved moulded base, raised on laurel carved lion paw feet; the whole... Learn More

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PAIR SWEDISH EMPIRE RED PAINTED AND PARCEL GILT PEDESTALS

 each green and ochre “faux marbre” circular top with molded edge over conforming apron with applied foliate medallions on female term supports joined by circular platform on concave tripartite plinth; ... Learn More

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PAIR SWEDISH GUSTAVIANSK GILTWOOD FAUTEUILS

the rectangular shaped tight upholstered boxed back within carved compound molded egg and dart back, with downward scrolling rectangular section similarly carved upholstered arms, joined to tight upholstered boxed seat... Learn More

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PAIR TUSCAN BAROQUE GILTWOOD BRACKET CONSOLES

the rectangular top with moulded edge over deeply carved foliate, shell and “C” scroll volute ending in lion paw foot; the whole raised on ogee moulded plinth with stippled back... Learn More

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PAIR VENETIAN BAROQUE PAINTED AND PARCEL GILT CARVED WOOD BLACKAMOORS

each naturalistically carved figure of partially nude mature male in striding position with walking cane and cornucopia; the left figure with star embossed drapery, the right with stylized Moorish costume,... Learn More

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PAIR WESTERN HAN EARTHENWARE PAINTED COURT FIGURES

each fully sculpted female form, one standing and one kneeling, with removable cocked heads on wood pegs, draped in layered flowing robes; the whole retaining traces of red and black... Learn More

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PAIR WILLIAM IV GOTHIC REVIVAL PINE SIDECHAIR

the shaped and molded pierced shield back, centering solid shield within foliate tracery, joined to solid seat with ogee molded edge over conforming apron with similar pierced tracery brackets, raised... Learn More

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